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OCCRWA November 2011 Online Class — “The Tiny Art of Elevator Pitches: Making Every Word Count!” with Carrie Lofty

October 26, 2010 by in category Archives tagged as

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Hi everyone! Check out the exciting online classes offered by the Orange County Chapter of RWA!

“The Tiny Art of Elevator Pitches: Making Every Word Count!” with Carrie Lofty
November 15 – December 11, 2010

Enrollment Information at http://www.occrwa.org/onlineclassNov10.html
COST: $20 for OCC members, $30 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com

ABOUT THE CLASS:

You have 30 seconds to make an impression. But how do you reduce tens of thousands of words down to 30 or less? What to leave in? What to ignore? How to give those 30 words punch and drama?

An “elevator pitch” can be defined as a bare-bones summary of your novel – but it is really something much more. This succinct distillation can help not only in query letters and networking, but in finding your hook and focusing your writing before you even start!

Author Carrie Lofty will share the elevator pitches that got her in the door, along with her techniques for making them concise and effective. She will look at the four plot arcs of any romance novel—hero, heroine, external, and romantic—and teach you how to weave all four into the most powerful elevator pitch possible.

ABOUT THE INSTRUCTOR:


Since completing her master’s degree in history, Carrie Lofty has been devoted to raising two precocious daughters and writing full time. Her historical romances have all received four stars from RT Book Reviews, which declared: “Lofty writes adventure romance like a born bard of old.”

In addition to two new historical romances coming out in 2011, her “Dark Age Dawning” trilogy of hot-n-dirty apocalyptic romances, co-written with Ann Aguirre under the name Ellen Connor, will kick off with Nightfall from Berkley Sensation in June.

Enrollment Information at http://www.occrwa.org/onlineclassNov10.html
COST: $20 for OCC members, $30 for non-members

Coming in January 2011–
“Going the Distance: Goal Setting and Time Management for Writers”
with Kitty Bucholtz
January 10 – February 5, 2011
Every New Year’s Eve, as the fireworks explode, we try to figure out how to make our goals into our reality. But what will work for you? In this class, you will be presented with a variety of ways to look at goal setting and time management specifically designed for the writer. Whether you are a plotter or a pantster, this interactive course will help you design a personalized game plan.

COST: $20 for OCC members, $30 for non-members

Check out our full list of workshops at http://www.occrwa.org/onlineclasses.html
Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group! Sign up at the bottom of http://www.occrwa.org/onlineclasses.html or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com

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Learning from one of my favorite things–Isabel Swift

October 24, 2010 by in category From Isabel Swift tagged as ,

A visit by an avid tea drinker gave me the excuse to expound on my fondness for my Alfi.  In assessing my tea drinking habits, I realized there were many similarities with my romance reading habits! Like many romance readers (and tea drinkers), I have specific tastes, likes and dislikes. Some I can be quite intransigent about, others more open-minded.

I must note that I am a tea philistine. I like black tea, fairly dark, with a lot of milk and sugar. My needs and requirement are simple and unrefined. I just like the taste. I do not worry about whether the water is boiling, just under, or whatever temperature releases (or does not release) unattractive tannins. Whatever! For me the issue is simply: does the water turn dark enough and if I put a lot of milk in it, does it stay hot enough (but not too hot) to sip and enjoy immediately?

Like a baby gosling, I imprinted on Twining’s Earl Grey blend as my tea of choice, but I’ve been willing to branch out–Bigelow’s English Teatime, Twining’s Irish Breakfast & have even liked some loose teas: Red Blossom’s Keemun and their Hunan Black are in my cupboard.

So why do I think this Alfi is great? Well, in general, I make myself a pot in the morning & then drink it throughout the day. I used to have various tea cosies to fit various tea pots to try to keep it warm, etc. but by the third cup, I needed a microwave to warm it up. Yes, I have done it and lived to tell the tale. If you microwave with the milk in, you don’t have to do it as long & usually it tastes OK to me.

But this Alfi has an internal glass thermos with a sealed lid that opens and pours with a finger press. It keeps that pot of tea (without a stained tea cosy) beautifully hot and drinkable for a very long time. Here is one of my Alfis at home. It’s sitting on a tile my husband bought me when he went to the Taj Mahal. Nothing’s too good for my Alfi….

Alfi.jpg

As a romance reader, I connected, then expanded my reading in the genre in a similarly tentative manner–first Austen, then Regencies, then a fearful exploration into historicals and contemporaries when demand far exceeded supply.

Thinking about the visceral and physical aspects of tea helped me understand my (and perhaps other reader’s) reading process. Sometimes trying a new tea opens a whole new world–but if you’re conservative, it takes being forced to try something new in order to get you off the tried and true. For me with tea, it was being served a delicious new type at a restaurant. With reading, my reading world has been expanded by gift books, a friend’s vociferous recommendation, or a desperation buy when travelling….

A new format–tea bags, a thermal pot–opens up a new drinking experience and new opportunities. I think of audio books, eBooks, mobile and eReaders in that vein. And sometimes the issue is expectations: if I don’t think of this drink as tea, but open my mind and consider it just as a hot beverage–does it taste good? So for me, I’ve been able to explore Chai (a bit). And to connect the tea/reading experience, to enjoy urban fantasy and other relationship novels that include romance, but are not Romances.

What–and how–have your horizons been expanded?

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The day Stephen J. Cannell talked with Jina Bacarr at OCC

October 11, 2010 by in category Archives tagged as , , , ,


Stephen J. Cannell talks w/ Jina Bacarr
Uploaded by Jina_B.

Everyone who attended the OCC Meeting back in 2007 when Stephen J. Cannell was our main speaker will never forget it.

I still have the notes I took that day…

And I have the video. So as a special tribute to Mr. Cannell who passed away recently, here is the video I did with him that morning after the Published Authors Workshop.

He was a great friend to OCC and to all writers everywhere.

Best,

Jina

The Blonde Samurai: “She embraced the way of the warrior. Two swords. Two loves.”

Jina Bacarr is also the author of The Blonde Geisha ,Cleopatra’s Perfume, Naughty Paris, Tokyo Rendezvous, a Spice Brief, and Spies, Lies & Naked Thighs
visit my website: http://www.jinabacarr.com/

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Planning for a Writing Push by Kitty Bucholtz

October 9, 2010 by in category Archives tagged as
Whether you’re getting ready for a writing routine like NaNoWriMo (National Novel Writing Month), a weekend retreat or – like me – a summer break from university, I find I get a lot more done during the allotted time if I’ve taken a moment to look at the big picture. Whether you’re a plotter or a pantster, a little advance planning can go a long way to ensuring maximum success.

What must be done before the push?

I’m going on a weekend writing retreat with my writer’s group at the end of the month. One of the first things I do when preparing for an event is check my calendar. Australian taxes are due that weekend so I need to make sure I’ve mailed them before then. If I have any blogs due around that period, I’ll write them earlier and set them to post on the correct day.

In order to focus on getting the most amount of writing done that weekend, we’re planning some very easy meals – bagged salad, baked chicken, apples and nuts for snacks. Because I’m the primary grocery shopper at home, and because John is having a Guy’s Xbox Party while I’m gone, I’ve already started buying things that are on sale (cookies this week! Okay, so it won’t be all nutritious snacks!) that I think we’ll need for our weekend events. The day I get home is a birthday party, so I’ll make sure the card and gift are ready, too. This is all shopping I’ll have to finish at least a day or two before I leave. (And I have to keep up with all my homework, too!)

Also, if there’s time, I’ll try to get some brainstorming done, get my work for the weekend organized, etc. Too often, this ends up being the first thing I do during my writing push because I was doing all those other things to get ready to leave. 🙂

What must be done during the push?

It’s easier to decide how I feel about a weekend or week or NaNo if I know what I’m aiming for. Sometimes, just writing every day is a success. Other times, I want to get a certain number of words written, or get to a certain point in the project. When I make a goal, even a range (for example, aim for 50,000 words during NaNo, choose to be happy if I hit 35,000), it gives me a better idea of whether I think I did well, or whether I need to change how I do things in order to get more done next time.

Let me encourage you to make your goals your own. If you don’t write 50,000 words during NaNo or you don’t write a book in a week (BIAW), it’s only a problem if you think it is. There are plenty of ways to choose your goal – a certain number of words or chapters written, a certain amount of editing, finish a section or the project, write a synopsis, write flat out without stopping to think about your choices (this can be fun), write for a certain number or minutes or hours per day or per week, or anything else you can come up with. Be as risky or as safe as you want.

There are some things that need to be done – avoiding distractions – that are more like “things not to do.” Consider using an email vacation reply if your writing push is short enough like a week or a weekend. You could choose not to look at and/or answer email at all until your writing day is over. You could give yourself a one-hour lunch break every day when you can do anything you want – including email. I think you can see now that I think email is the biggest distraction! 🙂 I bought a downloadable program called Freedom that disables my Internet connection for a user-determined number of minutes. That also keeps me from too much Internet research when I want to be writing.

What might you plan to do after?

Depending on the length of the push – a weekend or a month – you may feel nearly overwhelmed by the catch-up work that comes later. I’ve found that sometimes the number of things I put off in November to hit my 50,000-word target have kept me in catch-up mode into January because Christmas takes away most of my “free” time in December. I haven’t always thought NaNo worth it come January. By then I feel so behind, and I often haven’t written much on the project that I just spent a whole month straight working on – so I’ve lost momentum, too.

But if I can plan some time into my calendar for catch-up work, the strain is less. Consider blocking out some time in the first week back for extra email time, laundry, shopping, extra family time, and to organize what you did during the push so that you lose the least amount of momentum. I’ve heard too many friends say they hate taking a vacation because coming back to work after a week or two is punishing. They are overwhelmed at how behind they are or feel they are. Other friends spend a grueling amount of time at work in the week before to try to offset the pain in coming back. It doesn’t matter how you handle it, but if you think about it before you even leave, you may find there are ways to lessen the burden.

I hope this gives you some food for thought as you prepare for your next writing push. If you’re going to do NaNoWriMo this year, some of these ideas may help you get more accomplished without running yourself ragged. I’m going to use these principles for my 3-day writing retreat in a few weeks, and then again for my 3-month summer break from university starting mid-November. I’ll have to adjust the planning for a very short period and for a very long period.

If you have any planning methods that help you during NaNo or BIAW or any other writing push, share them here. It’s always fun to find new ways to get more writing done!

Note: If you’re interested in more on this topic, I’ll be teaching an online class on goal-setting and time management in January for OCC. Check back for more details in the next couple months!

Kitty Bucholtz is the co-founder of Routines for Writers, a web site dedicated to helping writers write more. She writes romance novels, light urban fantasy novels for adults and young adults, and magazine articles. She is currently enrolled in the Master of Arts in Creative Writing program at University of Technology, Sydney.

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Ha ha ha – the ins and outs of comedy

October 8, 2010 by in category Archives

Last week, I saw one of the funniest movies I’ve ever seen. The Other Guys, with Will Ferrell and Mark Wahlberg. Maybe it’s just because I was there with my kids, but I couldn’t stop laughing. The great thing was, most of the time, the movie stopped just short of the OTT humor in which Ferrell sometimes indulges, which I find more painful than funny. Ferrell is great when he’s playing the “straight man” which he was in this film. And while there were 15 minutes or so of slight drag in the last third, most of the time it cracked along.

The problem with comedy, is one man’s laugh is another man’s cringe – this applies to books and TV as well as movies. I love the Shopaholic novels (the latest, Mini-Shopaholic, just arrived in the mail today, yay!) and laugh all the way through them, but I have friends who find them irritating. Half the TV shows that are generously classified as sitcom leave me cold, while others, like Seinfeld, crack me up every time.

I learned a lot recently about how and why comedy is funny when I attended a workshop with Hollywood comedy guru Steve Kaplan. Sometimes, the kind of analysis you do in a workshop makes it harder to enjoy books or movies as a reader or viewer. But the great thing about Kaplan’s workshop was that I can still enjoy comedy, and in fact, appreciate it even more, without my tendency to analyze sucking the life out of it.

I also have a greater appreciation those writers who seem to produce effortless comedy. Because I know from experience it’s never effortless—in fact, it’s extremely difficult.

Okay, I’ve told you some of the movies and books I find funny…now how about you tell me yours? Because if there’s one thing we all need, it’s a good laugh!

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