Historical Fiction
Published: November 2, 2021
Publisher: Acorn Publishing
After surviving a childhood under the oppressive rule of Chairman Mao’s “Cultural Revolution,” a young, courageous teenager abandons her life in China for the freedom of the unknown in America. Arriving at the New York City doorstep of family members she’s never met, Ying-Ying has been promised they’ll help her learn English and accomplish her dream of attaining a college degree. But weeks later, she’s kicked out without explanation. Now a homeless immigrant, Ying-Ying must learn who to trust, how to find work, and how to succeed in a bustling metropolis that looks the other way. Overcoming obstacles of abandonment, heartbreak, and injustice in a foreign land, she remains fiercely determined to become a woman who will impact the world. An incredible story of second chances, Wings of Silk reminds the reader that underneath the fragile form of an individual, a strong and resilient heart is always ready to take flight.
About the Author
Li-Ying Lundquist was born and raised in China under the strict regime of Chairman Mao’s “Cultural Revolution.” The daughter of intellectual parents, her life was in constant danger and she grew up believing academic performance and perfectionism were the keys to survival and fulfillment. After high school, following a strong desire to find freedom and get to know family members who lived in the United States, Li-Ying left her life in China to pursue the American dream.
Overcoming the plights of a young immigrant who did not speak the language, Li-Ying obtained her master’s in computer science from a prestigious university and became a successful lead engineer. While working for AT&T Bell Labs, she and her team made the world’s first “text message” for mobile phones.
Today, she is happily married to a wonderful man and has two darling sons whom she loves with all her heart. An advocate of freedom founded on self-respect and happiness, she hopes readers of Wings of Silk will be inspired by the lessons of forgiveness, grace, and God’s powerful love.
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I believe there is not a single soul in this world that understands my disappointments, exhaustion, and hopelessness. I assume both Francis and Kaito are married and have their own children now. I don’t want to burden them, plus they must hate me: I am the one who broke up with them. I even start to think I am a horrible human being, unworthy of any happiness.
Soon I think of suicide, and the negative come without reprieve. Life is too hard. I’m such an imperfect person and I deserve an awful marriage. This overwhelming pain is also impacting my child. I have little happiness in my life, and nothing I’m looking forward to. The American Dream I’ve worked so hard for isn’t enough. I am extremely depressed and my hope is so nonexistent that I just want it all to end. I research methods of suicide and ruminate over which way I should go about it.
One night, I’m determined to do it. I decide I’ll try to overdose on pills. I scour all of our medicine cabinets, and have my pill cocktail all ready to take before I go to bed. Dylan is working late downstairs in his office, but he’ll be up later, and I want it to be him. I want it to be him who finds me and has to explain this to everyone. When it’s time to go to bed, I burst into tears. I sit on the bathroom floor, my face soaked and my body shaking as I talk myself into the commitment for what I’ve decided is the only answer for my future. There is no other. It’s terrible. I see no way out of the life I’ve buried myself in, and I tell myself that if I do this, everyone else will be better off too. No one wants such an empty and sinful person around.
Yes, that’s it.
I stand on shaky limbs. I fill up a cup with water that will help me swallow the handfuls of pills I’ve laid out. I watch the cup fill until my eyes are blurry and it begins to overflow in the sink. I never imagined this. I never thought my end would happen in such a manner. I never understood why someone would do this, but now I do. I thought death was the worst thing that could happen to a person, but now I know better. Suffering without any hope of a way out, that is worse.
I take a deep breath, and feel peace that soon this will all be over. I grab the first pill and take it. I grab the second pill and take it. I grab a third pill and take it. I grab the fourth, but hear Isabella. She is crying and calling for me. I can’t ignore her, and it’s probably best I say goodbye, take one last look at her.
I go into her room, and immediately take her into my arms, soothing her and telling her all the words I wish someone would say to me.
“It’s okay, my darling. It’s all going to be okay. You are safe. You are loved. I love you.”
She’s had a nightmare and tears have wet her face like they have mine. I stroke her hair and take in her face as she calms. As her breathing settles and she starts to fall back asleep, a smile creeps out from her lips. The sweetness of the moment makes me smile as well. I watch her sleep, and take in her room. Hanging on the wall is my butterfly kite. I hung it in her room when we moved into this house, but had forgotten it was there. I stare at it, and remember what it feels like to look back and see how far I’ve come. Though I’m ashamed of so much of my life, perhaps it shouldn’t be over yet. Perhaps, I’ll get stronger. Perhaps something more is out there for me. This thought is enough of a pull that when I go back to my room, I throw the rest of the pills away. For today, I want to be able to see Isabella’s smile tomorrow. I can’t miss that just yet. Deep down, I’m terrified one day I will lose control again to let this episode repeat.
I cannot do this to my darling Isabella.
You’ve heard of “casting directors” in the world of film, TV, and advertising.
I was an art director for ads and commercials, and selecting the proper models or actors for a job was key to the success of each project. Likewise, as an author, you are the casting director for your story, and casting the right characters is crucial to keeping the reader interested.
If you have the casting correct, any two characters can be put in a scene together and keep the reader interested. This requires that each character is already interesting on their own and that they have an opinion about every other character. They don’t have to say anything about the others, but they can have an internal view that will affect their behavior toward the other members of the cast.
Each character should have a purpose in the story. If not, then they aren’t needed. They can interact with each other independently or confront one another through the main protagonist.
The types of character can vary, but in Joseph Campbell’s “The Hero’s Journey,” he identifies eight archetypes. You can vary these to fit your needs.
1 | The Hero | Your protagonist |
2 | The Mentor | The one your protagonist goes to for advice |
3 | The Ally | The BFF or loyal friend |
4 | The Herald | The one who tells the protagonist they must change |
5 | The Trickster | Can function as comedy relief or goof (i.e., Gilligan) |
6 | The Shapeshifter | Not who you or the protagonist thinks they are |
7 | The Guardian | Tries to discourage the protagonist (to play it safe) |
8 | The Shadow | The opposite of the protagonist – evil? |
Think about the age, ethnicity, gender, education, and socio-economic background of each one. Are they a proper fit? Are they believable?
In the end, each of the character types I’ve mentioned have a unique of your plot and the rest of the cast. Consider the extent to which they interact, and consider using some aspects of the types above. Each character has the ability to move the story along. You don’t necessarily need all of these types, but you are the author, so use who you need. You can even write a story with only one character.
While the easiest way to build characterization and personality in your protagonist (main character) is to surround them with people they must interact with, if you isolate your protagonist, then developing depth and interest becomes a challenge.
Take the film, Castaway featuring Tom Hanks. He’s stuck on an island, alone, for four years. Writing a story featuring one character is an excellent exercise in character development. When writing a story like this, here are two things to remember, but this holds true for any type of story you tackle.
You must give the character a reason for the reader to care about what they do or what happens to them. As in a fully populated story, your main character doesn’t have to be “good” for the reader to care about them. Villains are just as interesting as heroes.
Conflict kickstarts the story plot. Without conflict or a problem to solve, there’s no plot and no story. How your protagonist reacts to the conflict helps the reader to guess what they’ll do or not do next.
Here’s a tip I use to cast my stories:
I like to clip photos of different people and use them as my casting catalog when developing a story. I can always look at their faces and consider how they’ll look or what other characters think of them. If your casting doesn’t seem to be working, you can always re-cast a character.
Have fun. You’re the Director.
Bestselling, award-winning author Alanna Lucas pens Regency-set historicals filled with romance, adventure, and of course, happily ever afters. When she is not daydreaming of her next travel destination, Alanna can be found researching, spending time with family, volunteering, or going for long walks. She makes her home in California with her husband, children, one sweet dog, and hundreds of books.
Just for the record, you can never have too many handbags or books. And travel is a must.
Today the delightful Regency romance author Alanna Lucas is with us. Will be talking about her journey to publication and her latest releases.
Jann: Why did you become a writer?
Alanna: For as long as I can remember, I’ve had stories swirling through my thoughts. It seemed natural to write them down and share HEA’s. The world needs more Happily Ever Afters, right?!
Jann: Tell us about your journey to publication. How many books have you published?
Alanna: My book, Face to Face won a contest wherein I was offered a contract. It was really exciting! Face to Face was the first in a six-book series. I enjoyed my time with my publisher but found self-publishing more fulfilling. I suddenly was in control of who my editor was, cover design, and deadlines (an important detail when you have kids at home). I have self-published eleven books!
Jann: Historical romance readers look for accuracy from the author. What are your favorite sources for research and how much time did you spend on research? Do you research before, while you write a first draft or after?
Alanna: Gosh, my favorite sources? Where to start… I have the Beau Monde to thank for the wealth of knowledge sitting on my bookshelves. The classes and material they have provided always is a great starting point. I love to research and probably spend way too much time falling down the rabbit hole looking for some tidbit to satisfy my curiosity. Lol!
Jann: The Redemption of Heathcliff, made its debut in January 2021, and How To Steal A Lyon’s Fortune, in April, received wonderful reviews by readers. Do you read reviews?
Alanna: Thank you! I’ve been so pleased with the reception of both books. I do read some reviews (and try not to let the bad ones get to me). Authors put a lot of themselves into their writing and it’s nice to read that our stories resonate with readers.
Jann: On November 12, A Marchioness for Christmas makes its debut. What major conflicts do your leading characters, Antonia and Dracon, have to work through on the way to their HEA?
Alanna: Communication—or lack of—and family responsibility are things both Antonia and Dracon struggle with. Both have a strong sense of duty that have dictated their actions, and not always in their best interest.
Jann: When starting a new book do you think of character, plot or theme first?
Alanna: Plot never comes first. Lol! I am a pantser all the way! Usually, the hero and heroine come to me with an idea. I spend a lot of time getting to know them in my head. Each book has its own journal for me to record thoughts and ideas.
Jann: What are you working on now? Can you tell us about your next project?
Alanna: I am working on a new series about three sisters who are gifted with charm, grace, and beauty, who are not only determined to marry for love and make advantageous matches, but plot to assist other ladies of Society to do the same. Let’s just say, they are not your typical debutants.
Jann: You wrote a couple of Historical Westerns. Will you be writing any more in the future?
Alanna: I hope so, but no cowboy hero has rushed into my thoughts lately 😉
Jann: Your book covers are fabulous. Are you the designer?
Alanna: Thank you! I think they’re fabulous, too! I have an amazing cover designer, Dar Albert, who really understands my vision, usually on the first go around.
Jann: What is the one thing you’ve never been asked, but you wish someone would?
Alanna: This one stumped me a little. I guess… Have you ever acted out any of the scenes in your books? The answer is yes, but I won’t say which ones 😉
Jann: What’s the funniest (or sweetest or best or nicest) thing a fan ever said to you?
Alanna: “You look just like your author picture!”
Jann: You like to travel. Do you have a favorite location that you find yourself going back to? Do you have a bucket list of future destinations?
Alanna: I LOVE to travel, especially to the Netherlands. I try and go once a year—I have family there and the little ones are getting so big, so fast! I’m always plotting the next travel destination. Next trip (fingers crossed that the world behaves, and travel is possible) is to see the Northern Lights in Norway.
Alanna, it’s been great to spend time with you today. I love reading Regency romances and yours are wonderful. Can’t wait to read A Marchioness for Christmas! You also have Christmas Kisses, which is part of a Regency Holiday Romance Anthology with ten authors that is available now which I’m reading. Have a wonderful holiday season!!
(Click on the cover for more information. Hover over the cover for buy links.)
Dianna is a contributing author in the last two anthologies from The Bethlehem Writers Group, Fur, Feathers, and Scales, Sweet, Funny and Strange Animal Tales and Untethered, Sweet, Funny & Strange Tales of the Paranormal. She has also contributed stories for the Bethlehem Writers Roundtable ezine, including “In the Delivery.”
Born and raised in the Midwest, Dianna has also lived in three other quadrants of the U.S. She writes short stories and poetry, and is working on a full-length novel about a young woman in search of her long-lost brother.
She is a member of Sisters in Crime, Horror Writers Association, The American Medical Writers Association, and The Bethlehem Writers Group, LLC.
Dianna also has a regular column here on A Slice of Orange, titled Quill and Moss, in which she frequently includes short fiction.
Below, you can also listen to Dianna read her short story, “Cold Front” from the GLVWG Writes Stuff anthology.
The full moon is my favorite lunar phase. Not because it helps me see better in the darkness—that’s never been a problem. It’s because moonlight infuses the evening with a special glow. It makes me swagger, and maybe take more chances than I should.
On this particular full moon, I am out and about by twelve-thirty; leggings, gray tunic, sensible shoes, my hair knotted atop my head. I think I look sleek like a cat without the whiskers or tail. Some accuse me of walking the streets, but that’s not why I’m out here. It’s hunger, really.
Nostalgia makes me head up Rush Avenue this night. I have memories of sweet drafts, sparkling with life. Ripe pickings, with little danger of getting caught. Part of me says to walk on by and follow my usual routine: Never the same place twice. With the full moon lighting the way, I am more visible than on other nights.
“Hey, girl,” a late stroller shouts from the other side of the deserted street. I ignore him. That is my first mistake. I’m not the only one dressed for inconspicuousness this night.
Another man materializes on my right. A big, muscular fellow, dressed in black.
“Why such a hurry?” he says, but softly, intently. He drifts closer to me, and during that action, I am aware that the late stroller has moved across the street toward me. I am flanked.
I should run—I could easily leave them behind—but the hunger emerges, as it always does when beating hearts are within range. I decide to see what happens if I stay. That is my second mistake.
“The place three doors up has a broken latch on a rear window,” I say. “Easy to enter and look around, if that’s why you’re out here.”
“Maybe,” the big guy says. “And maybe we’re here because we’re looking for someone like you.” His hand grabs my arm, and I can smell tobacco and sweat on him.
The late stroller takes my other arm, but his grip is lighter. He’s shorter, slimmer than the big guy. And his breath as he leans in tells me he’s been drinking. Maybe this duo isn’t out to make a quick buck on stolen goods.
“Nice night for a drive, Matt, don’t you think?” the late stroller says to the big guy as he leers at me. “Especially with the little lady here?”
Matt, the big guy, agrees by laughing, more of a guffaw, and grips my arm more tightly, as though I’ve made any move to get away.
Their car could be any parked along this quiet city block. I have a few seconds to decide on a plan, but I’m distracted by their closeness. Their pulses beat against my arms; even through the tunic’s sleeves I feel them and my hunger surfaces again.
I could sink my teeth into Matt’s hand, but his friend might be strong enough to pull me off.
Unless.
I know how to avoid a third mistake. Moving swiftly, I bite deep, and the reaction is predictable. Matt yelps, letting go of me. I turn just as fast to the other man and draw blood.
“Fuck,” he cries. And I am free once more.
Just as predictable is their rage. No longer am I a target for their lust: They must hurt me because I have hurt them. But I am quick, and did I tell you that I think just as quickly?
Matt rushes me, but I sidestep, and his momentum barrels himself into his friend. They both go down, the friend striking his head on a concrete trash receptacle. He twitches a few times and lies still.
Pushing back to his feet, Matt readies for another assault and then slows. He stares at me. I nod. The venom in my bite has flushed through him.
“What are you?” he says, but the anger that drove him to action a moment ago has dissipated.
I smile. “Give me your hand.” Without hesitation, he complies, and I drink. I’ve had better, but this will do. He watches me, his eyes blinking languidly. “That’s enough for now,” I say. Placing my palm on his wound, the bite seals immediately.
“That was . . . nice,” he says.
“That’s what they all say.” I reach up and gently touch his cheek, his lips. “Sorry about your friend.”
He shakes his head. “Not really a friend. More of a jerk.” He seems unsure of what to do next. “Will I see you again?”
“I should think so,” I say. And then, because I’m fast, I’m gone before he sees where I’m headed, even under a full moon.
2 0 Read moreA Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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