Dear Extra Squeeze Team, How Do You Plan a Book Launch?
February 14, 2020 by The Extra Squeeze in category Featured Author of the Month, The Extra Squeeze by The Extra Squeeze Team tagged as blog tours, HO Charles, Jenny Jensen, new book releases, Rebecca Forster., Robin Blakely, The Extra Squeeze Team
Each Friday in February we’ll be featuring The Extra Squeeze Team.
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.
Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
Have you a question for The Extra Squeeze Team? Send them to us by using this handy link.
Dear Extra Squeeze, How Do You Plan a Book Launch?
Rebecca Forster
USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.
When I published my first book over thirty years ago I assumed the publisher would have all sorts of glittery, fantastic promotions planned that would shoot me to literary stardom.
Not!
In those days – just like these days – the author is responsible for launching their book and establishing their brand. The good news is that now the opportunity for promotion is controllable. I maintain a new release plan that has proven manageable and effective over the course of more than thirty books.
1) Write a good book: professional, exciting, as error free as possible and packaged beautifully. All the promotion in the world will not support an inferior product.
2) Set up your pre-orders and then create excitement with a sneak peek of a few chapters on your website (don’t forget buy links at the end of these chapters).
3) Alert interested parties starting with distribution channels. Smashwords, for instance, has an alert for author’s running BookBub ads. Once they know your ad date, they will pass the information along to their bookstores, those bookstores will consider your book for further promotion. BookBub Partners has an automated per-order alert for your followers. Amazon has the same. Read the distributor’s newsletters and find out what free opportunities are there for the taking.
4) When your manuscript is ready, start submitting it for reviews (I love PRG and InD’Tale).
5) Continue to nurture and grow your social media followers and plan affordable advertising geared toward look-alike audiences. Try sites like LitRing (have loved the 4 promos I’ve done with them). Many advertising sites won’t take pre-order advertising but purchase spots for immediately after your launch while your book is new. I am not a fan of blog tours. I have only paid to do one but I couldn’t quantify the results so for me this isn’t part of my strategy.
The bottom line is this: write well, be aware of what is available, be as genre specific as possible in your target marketing and remember that the launch is the beginning and not the end of your marketing efforts for your book and your brand.
Jenny Jensen
Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.
Marketers say someone has to see your book 7 or 8 times before they buy. I’m not a marketer, so I can’t vouch for that but all the on-line exposure of a blog tour must be good. It can’t hurt – or can it? Just as a poorly written book will not sell, a poorly presented blog tour will turn off your audience before they even turn on. You need to leave a positive, compelling impression.
Prepare Several Blurbs
Since the content should be unique to each site you’ll need to prepare several blurbs – those enticing peeks at your story – not to mention tweets and whatever other social media is on offer. You can approach a blurb in different ways: lead with the most startling action element, lead with the dilemma, lead with a spotlight on character or setting, but lead with a sentence that hooks.
Describe Your Story Well
However you describe your story it’s critical that it be well written. This is, after all, the reader’s first taste of your voice. I’ve read choppy, unstrung blurbs that show what might be an interesting plot if you overlook the way the words are strung together. Regardless of how intriguing the plot sounds my immediate reaction is: This person can’t write. I won’t be reading this one.
Edit. Edit. Edit.
Of course, you’ve written a great book. It’s been carefully crafted, closely edited for errors in all respects from plot and character development to syntax and grammar. Your beta readers love it. Now you have to craft the words to sell the story without a single spoiler and with the same silver voice of the book. Craft your blurbs and interview responses with the same care you gave your book. And edit, edit, edit.
Robin Blakely
PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.
You need a PR plan to succeed. Straight up, any plan is better than no plan…and even if you are working with a traditional publisher, your plan may be the only plan that is ever created with much concern about building your long-term career. Accept early that your success as an author is not your publisher’s concern. Their business is centered around the products they have curated for their brand; it includes the book you created–not you.
The reality is, take care of yourself and build your own business.
Phase One is prep time.
Build or refresh your website. Connect your social media platforms to your website. Make sure that you use one author picture across platforms so that your brand has a singular face. Establish a media page to create and post your downloadable press kit. Include links to downloadable high-resolution images of your book cover and your author photo. Make sure you have a landing page for book sales.
Prepare a press release that offers the announcement of your book to share with your local paper, bloggers, industry influencers, and reviewers. Don’t know who they are? Figure it out. Clearly define the top four niches of your audience and start building a database of contacts to help you reach each target. In Phase One, fully create the day-by-day choreography for book launch week.
Phase Two is book launch week.
Synchronize your PR efforts to reach every corner of your world with news about your book in the seven days of the week that your book is first released. Everyone you can imagine needs to know now, all at once. Either plan a parade of activity or nothing will happen.
Phase Three is steady-to-the-course season.
PR efforts must be sustained. That means shift your message from new book announcement to relevant reasons to discover your book, reasons to peek inside, opportunities to read and buy.
How does a blog tour figure into all this? Up to you. The key is to decide when, how, and if you want a blog tour. It is hard work with lots of moving parts. It is a godsend for some authors and hellish for others.
H.O. Charles
Cover designer and author of the fantasy series, The Fireblade Array
I wish I knew the answer to this one because if I did, I would be a ££££££££££££-ionaire by now! I can tell you what NOT to do. When I launched my first book, I did little more than list it on Amazon and submit it to Smashwords. I had no idea about advertising (still learning on that front), and I published in secret, under a pseudonym, so had no friend or colleague network to exploit.
Tip 1: Don’t go it alone – if you know people who can help, use them. This applies to other authors. If they see your work and like it, they might team up with you to do a newsletter promo or similar.
Tip 2: Don’t do what soooo many authors do and sign up to a forum, then post once about your amazing new book. It won’t get you sales, but it will get people’s backs up (may have done this <coughs>).
Tip 3: Don’t list your pre-orders at full price. If you’re unknown, no one will take a chance on you anyway so you may have to lure customers in by being cheap!
Positive tips:
- Do look at advertising opportunities, and check out writers’ forum reviews on their effectiveness.
- Do make sure all of your pages are set up nicely – web page, Goodreads page, Facebook page… etc. so that readers can look you up, contact you and leave reviews easily.
- Try to get on a few blog interviews.
- Do be careful with your PR and the claims you make. It’s perfectly okay to brag about your past achievements, as long as they’re verifiable. I’ve noticed a few writers recently who claim to have sold 200,000 books in a month – you go to their Amazon page, and their book is ranked #100,008,282,212! It’s very easy to see through such fabrications, and once a writer loses trust from their readership, it’s unlikely to be regained.
Last of all, I would say to keep your expectations low. I know that sounds dreadfully pessimistic, but realistically, very few authors do well on one book without the backing of an expensive PR agency. It’s only once you have a good body of work out there and plenty of positive reviews that more readers will start to notice you.
If you have a question or topic you would like the Extra Squeeze Team to tackle please use the this contact form.
Dear Extra Squeeze Team, How Do I Price My Novel?
February 7, 2020 by The Extra Squeeze in category Featured Author of the Month, The Extra Squeeze by The Extra Squeeze Team tagged as ebook pricing, February Featured Authors, Marketing, The Extra Squeeze, writing
Each Saturday in February we’ll be featuring The Extra Squeeze Team.
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.
Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
Have you a question for The Extra Squeeze Team? Send them to us by using this handy link.
Dear Extra Squeeze Team, I’m ready to self-publish my first novel as both an ebook and a paperback. It’s a romantic suspense novel and about 90,000 words. How do I figure out what to charge? I don’t want to be too cheap, but I don’t want to be too expensive either. Help! How do I price my novel?
Rebecca Forster
USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.
I love that this author has provided so much information. Her query is objective, communicated the pertinent information and is focused. Kudos. Many authors – first time and seasoned – simply calculate how much money they can make at different price points and choose the highest one that they believe the market will bear. What they don’t take into account are market forces and there are plenty of them.
This lady is a first-time author intending to publish as an indie. It is clear that she understands her genre. I will assume her book is awesome. Now let’s look at what she is going to face. There are currently about 2,500 new books published through Amazon a day. She will be competing with seasoned, midrange and newbie authors all of whom are publishing books at the same time she is. Some will offer their books for free and others for $.99. Many will leave those books at these price points for promotional purposes with the objective of getting their books into as many readers’ hands as possible. They will be hoping to garner reviews. In my experience it takes about 100 downloads to get one review. That’s a lot of books you have to sell. If you overprice your work, no one will buy it. Spending $6.99 on an unknown will not be as attractive as receiving a free book or one at $.099. Many best selling authors (myself included) price their books at $3.99 and $4.99. Anything under $5.00 is considered a bargain book and is more easily promoted on advertising sites and book-dedicated social media sites. There are so many more nuances one can address regarding pricing but covering them all would be a novel in and of itself.
My advice to this author is to read over the above, take a look at the bestsellers in her genre and make a list of price points. I would include general thrillers in this list also because there is a ton of crossover between straight thrillers and romantic suspense. At the same time, assess how you are introducing yourself to the reading public. Do you have your website, your social media accounts, your branding in tip-top shape? Are book two and three almost done (indie publishing has taught me that readers will veer to an author with deep inventory because, if they like your work, they want to click for the next one). Does your cover scream quality? People pay a little more if it looks like the next big thing but not much.
To put this in perspective, I have published (traditionally and as an indie) over thirty books. I have experimented with many price points from $.99 to $6.99. $2.99 to $3.99 is the sweet spot (read Mark Coker’s blog post at Smashwords on pricing). You can make a good living at this price point but not without a heck of a lot of work.
Price this first book to sell, garner fans, ask for reviews, build up your profile everywhere and keep writing so that you have inventory. This is a long-haul profession. It looks like you’re ready for it. Good luck.
P.S. I price my paperbacks for minimal return. I might make $1.00 to $2.00. That is because I want them to be reasonably priced and I know that 97% of my business as an indie is in digital sales.
Jenny Jensen
Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.
Two very successful authors and one savvy, marketer share this panel with me. I’ll leave the hard marketing advice to their tried and true experience and respond as a consumer.
I’m a champion of Indie publishing. I read a lot, all genres, and I love to discover new writers. Unfettered access to any voice that wishes to be heard is the outstanding feature of Indie Publishing. I know I’m not alone in this opinion so as a new, untested voice I salute your maiden voyage.
I download work by unknown authors at least twice a week. My price point for an unknown is from 0 to 1.99 and there are several criteria that prompt my choice: a compelling title, one that invites, intrigues or amuses always gets a second look at the cover and a close read of the story blurb. It’s that book description that’s the hook. It must be revealing to a tantalizing extent (no spoilers), descriptive of some feature that sets the book apart from the cookie cutter template of the particular genre — maybe a well-crafted sentence or two that reveals a great character, an intriguing setting or a particularly unique situation. It must include something of the challenge inherent in the plot — in other words, give me a reason to want to read the story.
This short sell copy reflects the writer’s style and skill so it’s critical that the voice I’m considering spending my time with comes through loud and clear. Poor grammar, clumsy wording and typos are an immediate reason to move on, as is a dry recitation of plot points. If the cover matches the level of professionalism and care reflected in the title and the description, I bite. It sounds like my perspective buyer self takes in these criteria in an orderly way. Not so; it’s the blending of all the features that makes a work by an untried author enticing.
Considering just how fierce the competition is it’s great to have access to various platforms where you can stand out. Whether it’s an offering on a Bookbub-ish bargain site, a platform like Indie Book Nexus or a genre specific site, this is your chance to cut yourself from the herd.
There are degrees of how strong the attraction of a book offering is. I’ll always try a .00 price point book if the presentation interests me. I don’t view that as a cheapened offering, rather I see it as an invitation. If I’m going to invest up to 1.99 then I need an assurance of quality. The care and passion of the book sell copy is reflective of the care and passion in the work. It takes an excellent presentation to move me to my 1.99 limit. That hasn’t happen often for a new author with a stand-alone book. Of course, editorial reviews help — nice stuff if you can get it, but I don’t require that.
I’ll add that when I’ve fallen in love with a new author and she has no published work to move on to I am bummed. I vow to keep a lookout for a ‘next’, but it does not stay top of mind. A link to a mailing list for the next book’s release date is pretty good compensation.
You’ve made the decision to publish so I’m sure you’ve had the manuscript thoroughly edited and it is the best product you can provide to the reading public.
Invite every potential reader and if it’s a freely given invitation then know you’ll begin growing your audience. Wow me and I’ll pay for the next book. It’s an investment.
Featuring The Extra Squeeze Team
February 1, 2020 by The Extra Squeeze in category Featured Author of the Month, The Extra Squeeze by The Extra Squeeze Team tagged as cry for writing help, editing, Hot Mess, NaNoWriMo, Self-editingEver wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.
Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
For the whole month of February, the Extra Squeeze Team will be Featured on A Slice of Orange. Check back each week for more writing advice.
Dear Extra Squeeze Team,
I did NanoWriMo and finished. The result—I have a 50,301 word hot mess of manuscript. What the heck do I do now?
Rebecca Forster
USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.
Edit. Seriously. Take what’s good, throw out what’s bad, rewrite, smooth out and polish. Viola, you have a book. I would love to have 50,000 words to work with. Good luck.
H.O. Charles
Cover designer and author of the fantasy series, The Fireblade Array
Do you know what it is meant to become? Is it a series of chapters that form part of a longer book, or a novella? You’ll need to know what the finished product will be and who its audience is before you can begin to shape it. I don’t think there’s a set order to this next bit, but I would say that once you have an idea about final thing, you can start to make it more user-friendly.
Divide it up to make it edible for its future consumers (chapters with titles, paragraphs that don’t repeat the same stuff e.g.). Then start to look at which boxes you’ve ticked: character development, atmosphere, plot twists, no plot holes. Make sure the beginning has the right hook, and the end ties everything up (or doesn’t, if you like cliffhangers).
I’d correct grammar and spelling as I go with each re-read, making sure to change the page size each time (if you’re anything like me, you’ll be blind to certain errors unless the text gets moved around. Something weird and psychological, but it works).
The alternative is to count the 50k words as ‘notes’, and go on to re-write the whole thing in a more structured manner – the nuclear approach. It can produce better results, however.
Once you’re happy, find someone you trust to read through it and ask what they think. I am always surprised at the items that get identified, even when I believe I know my own book inside-out!
Jenny Jensen
Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.
First, take a deep breath. Then sit your calm self down and read that hot mess from a more distanced perspective. Deconstruct. Outline the story. This hot mess came out of your imagination, your creative brain pan. Decide if there is something there to merit a lot more hard work.
What is the premise? Does it hold water? Is the opening compelling and does it carry forward and follow a logical plot? How is it plotted? Who are the characters and do they fill their necessary roles? Are these personalities you’ve peopled the story with interesting enough to carry the plot? Have you set the tale up with some inciting element strong enough to capture a reader in the first two pages and can that moment or situation move the story forward? Does the action rise and culminate and resolve in a natural dramatic arc?
Possibly… probably not. Yet.
There’s got to be some worth in all that effort. It may simply be that you’ve primed the pump and can toss this exercise and go on to a different tale energized by the fact that you know you can get words down on paper. (Sometimes that’s half the battle.) Or it may be that your efforts contain the seed of something that with the proper rewrite and revise, can be great. Only by analyzing it with as critical an eye as you’re able to achieve can you know what you can make of that mad NanoWriMo effort.
If you see the glaring errors of you ways, then get down to the rewrite. If you are overwhelmed by the prospect, get yourself an editor. Most editors, myself included, offer a read and review service for a reasonable fee. That overview from a fresh, professional eye, will help you see your way through trees to the forest. Or is that through the forest to the trees? Either way, you’ll come away with a direction that will help you move your written efforts forward.
Fifty K plus written words is awesome. You can make something of it, learn something from it, or just be pleased as punch that you achieved it.
I recommend you make something of it.
What to Do with Unwanted Collaboration Offers
December 31, 2019 by The Extra Squeeze in category The Extra Squeeze by The Extra Squeeze Team tagged as annoying relatives, brother-in-laws, collaboration, deadlines
Dear Extra Squeeze Team,
My brother-in-law keeps sending me ideas for books.
He thinks I should write them and then share the profit with him (60% for him-40% for me—because he could crank them out if he just had the time, but he has a real job).
I’m so NOT interested.
I have tons of my own ideas and deadlines breathing down my neck. How to I get the jerk to leave me alone—besides skipping Thanksgiving and Christmas with the fam?
Rebecca Forster
USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.
Been there done that! High five! Here are my go-to favs.
A) My attorney has advised me not to listen to anyone else’s story ideas to protect the both of us.
B) MY real job – writing – just doesn’t leave time for anything else. AND IF THAT DOESN’T WORK…
C) I’d love to talk about it. The minimum fee for ghostwriting is $25,000 but you’re family. I’ll do it for $20,000. He should let you know when the check is in the mail.
Jenny Jensen
Developmental editor who has worked for twenty plus years with new and established authors of both fiction and non-fiction, traditional and indie.
60/40?! His ideas are mostly in the fantasy realm, right?
What’s a ‘cool idea’ and what’s a ‘premise’? There’s a world of difference between those two and the success of each depends on how well a writer spins them into a story. Your bro-in-law needs a reality check. As Thomas Mann said, “The task of a writer consists of being able to make something out of an idea.”
I’m not much help with family advice but perhaps you could counter-challenge him. Offer a 70/30 split – with you at 70% – if he can flesh out one of his brilliant ideas to include plot details, dramatic arc, characterizations, atmosphere and killer resolution; say, 25 or 35 pages of concise, workable outline. If you feel what he offers is something you can work with it’s a possibility you may ‘write it’.
Perhaps that might help him understand where the lion’s share of work is in creating a novel. And it’s possible he’ll even learn that the original idea often morphs beyond recognition once the world building begins. Otherwise, maybe you just smile sweetly, remind him the world is full of grand ideas – remember Google Glass? – and pass him the sweet potatoes.
H.O. Charles
Cover designer and author of the fantasy series, The Fireblade Array
Hahaha! Your brother-in-law sounds like the kind of person I cannot stand. There’s always one in the workplace (usually a boss) – the one who takes all the credit while the rest of us sweat and toil away. My advice is never allow yourself to be the swan’s feet unless you can guarantee recognition (advice you have already self-issued, anyway. Phew!). The best way to get him to leave you alone is to tell him someone else came up with a better story idea/better financial split, and that you are collaborating on a book with them instead.
Robin Blakely
PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.
Oh dear. Something is terribly awry here. Perhaps it would help to re-frame the situation and look at it again from other angles.
Angle One: Maybe your brother-in-law is not quite as big a jerk as you imagine. Maybe he knows you are highly creative. Maybe you are the most creative person he has ever met. Perhaps he realizes you could spin his big ideas into bankable gold….and truth be told, you probably could, if you wanted to. Let’s be grateful that he sees some of your amazing potential. But, why does he only offer you 40%? Maybe he fully expects you to negotiate with him and he has established some wiggle room for himself.
Hey, anything is possible…sometimes we jump to conclusions about people before we consider all the possibilities. And, then too, sometimes we know a jerk when we see one.
Angle Two: Maybe your brother-in-law is an even bigger jerk than you imagine. Seriously, if he low balls members of his own family in business deals, imagine how he treats the rest of the world. Not likely fabulous. Entitled and exploitative are never a good mix…they are toxic.
Soooo… what would I do if I were in your shoes?
I personally would consider skipping Thanksgiving and Christmas. It seems to me that you need some time and space. The situation you described is less about the brother-in-law and more about you. It sounds like you are feeling resentful and stressed, under-valued and pushed beyond your comfort level. Forget about the the brother-in-law (jerk or not), focus on putting yourself front and center. It seems to me that you need a chance to get ahead of all those deadlines breathing down your neck and focus on your own valuable ideas. Let your brother-in-law’s wife figure him out.
Ever wonder what industry professionals think about the issues that can really impact our careers? Each month The Extra Squeeze features a fresh topic related to books and publishing.
Amazon mover and shaker Rebecca Forster and her handpicked team of book professionals offer frank responses from the POV of each of their specialties — Writing, Editing, PR/Biz Development, and Cover Design.
Have you a question for The Extra Squeeze Team? Send them to us by using this handy link.
The Extra Squeeze Team: Writing Books and Story Structure
November 30, 2019 by The Extra Squeeze in category The Extra Squeeze by The Extra Squeeze Team tagged as Formulas, Story Structure, The Extra Squeeze Team, Writing Books
Dear Extra Squeeze Team,
We have two questions this month.
Question #1: Do you like books on writing? What are your three favorite books on writing?
Robin Blakely
PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.
Here are my three favorite books on the craft of writing. I love what these writers have to say… and how they think… and the encouragement they offer. Two of these books I first read decades ago…and, just to be sure, I re-read them this year and still love the breathless excitement and the truths they provide.
If You Want to Write: A Book about Art, Independence and Spirit by Brenda Ueland
APE: Author, Publisher, Entrepreneur—How to Publish a Book by Guy Kawasaki
Writing Juvenile Stories and Novels: How to Write and Sell Fiction for Young People by Phyllis A. Whitney
BONUS ROUND. Books on writing are important…BUT, here are my four favorite books on surviving the decision to become a writer. Each of these share something that for many writers will be more important than honing the craft of writing or studying the specific industry know-how. Spoiler Alert: Believe in yourself and your dream…don’t give up on yourself no matter how many times you are rejected…be aware that the road less traveled is frightening but worth the effort. And, please don’t wait for someone else to make your dream happen for you…you just gotta do it yourself.
The Carrot Seed by Ruth Krauss
Green Eggs and Ham by Dr. Seuss
Oh! The Places You’ll Go by Dr. Seuss
The Missing Piece Meets the Big O by Shel Silverstein
H.O. Charles
Cover designer and author of the fantasy series, The Fireblade Array
Is it really shameful that I’ve never read a book on writing? Oh dear, it probably is, isn’t it?!! I’m going to hide over here in the Naughty Writers’ corner and let the others take this one…
Rebecca Forster
USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.
I must confess, I have never read a book on writing. I have never taken a class. My education came through the school of hard knocks (editors doing the knocking) and osmosis because I am an avid reader.
Question #2: My critique partner keeps yammering on about story structure? Do I HAVE to follow a formula?
Robin Blakely
PR/Business Development coach for writers and artists; CEO, Creative Center of America; member, Forbes Coaches Council.
No, you do not. Likewise, you do not have to write books other people will read and you do not have to create work that is anywhere near commercially viable. Your critique partner is trying to alert you to the alarming way your work is turning out. Your story may ramble and wander about. Your work probably lacks the structure needed to give readers the experience they demand. What can you do? Start by exploring the notion that story structure and formula are not exactly the same thing, and neither are evil. I think formulas can provide an important illumination for your chosen genre. If you are a new writer, following a proven formula can allow you to lean on something that works while you develop your skillsets. Structure is a different kind of thing. It is a design requirement to make sure your work has the scaffolding needed to support a reader. Like an architect designing any building, writers must accept that writing projects require a certain framework to function. So formula is like building a line of cookie cutter houses. Structure is the engineering rules you follow that allows iconic buildings and cookie cutter houses to stand up at all. All to say: listen a little more to the critique partner and explore what you are being told.
The advice about structure that your critique partner is yammering about is a must if you want to be a successful writer.
Rebecca Forster
USA Today Bestselling author of 35 books, including the Witness series and the new Finn O’Brien series.
There are no hard and fast rules in art, but there is a reason why successful novelists pay attention to structure. Think of your manuscript as a maze. It is your job to guide the reader through it to a satisfying conclusion. If you decide to have some fun and lead them down paths that are confusing and unrecognizable, there is a good chance they won’t play your game because you’re making them work too hard. Instead, they will find someone who weaves a structured tale. So, ask yourself what is important: pushing a tried and true envelope for the sake of an artistic fling or gaining a loyal audience?
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