I’ve been wracking my brain, trying to figure out what I wanted to share with all of you. Part of that may be that I’m currently in Georgia, at my brother’s wedding. I’m always so fascinated by weddings, because everyone is so different. Do you do pictures before or after? Sit-down dinner or buffet? Big or small? Considering how long people have been getting married, you’d think it would be hard to always be original. But time after time, couple after couple finds a way to make it unique.
It’s this instinct that I look for in the books I read. Love stories have been around forever, but we keep coming back. Tristan und Isolde, Romeo and Juliet, Tony and Maria. Same basic story, told in new and interesting ways.
I guess that’s the secret, the way you can decipher that publishing code. When editors say they’re looking for “high-concept” stories, it doesn’t mean we want every theme you’ve ever heard of thrown together in a big mish-mash. It’s about bringing something special that will resonate, even if you think they’ve heard it a million times before.
Modern Family, ABC’s new sitcom, is a perfect example of this. If I just told you the plot of an episode–father buys son a bike, sees bike outside of arcade, steals it to teach son a lesson about responsibility–you can probably guess where it’s going to go. But watching it unfold, it’s like you’ve never seen it before. Something tiny, like a quirky line-reading, or an extra twist when you thought it was over, makes it special. (Also hilarious, but I could write pages and pages about Modern Family, so I’m going to hold back.) But other than just enjoying the show, I am drawn in by the sheer ingenuity that went into making it.
The creative process is always interesting to me, which is what brought me to publishing in the first place. In Stephen Sondheim’s “Sunday in the Park with George”, a musical about painter George Seurat, this is how he describes the color “white”: ‘A blank page or canvas. His favorite. So many possibilities.’ And it’s true, the possibilities are endless–and a little bit daunting.
That’s why I always remind writers that they are the best part of their writing. Your voice, your point of view, your style–that’s what makes your work unique. Don’t let yourself get caught up in trying to create a plot that has never, ever been seen before. Trust yourself, and you’ll always be happy with the product–and so will your readers.
Associate Editor Esi Sogah joined Avon Books in the summer of 2005. She edits historical and paranormal romance, as well as commercial women’s fiction. http://www.avonromance.com/
10 0 Read moreThe first time I heard the radio DJ announce the name Engelbert Humperdinck, I thought it was a joke. I mean who in their right mind would have the nerve to call themselves that, outside of the German composer, who in 1893 wrote the opera “Hansel and Gretel�
The song being sung by this new Engelbert was called, “Please Release Meâ€, which I didn’t care much for either. It was a long drawn out melody about a man who didn’t love the person he was with and wanted to be free so he could be with someone else. Who could love a guy like this?
The day came when this unknown singer from England was to make his American television debut. It was on a Saturday night, and the show was called “The Hollywood Palaceâ€. Finally, I was going to see the face behind that voice. And when I did, it was love at first sight for me. The well built 6’2 hunk who was dressed in a tuxedo made his way center stage, singing that song I had grown to hate–but it didn‘t matter what he was singing, all I could do was concentrate on his exotic looks, sensuous lips, and those way too long sideburns. When he spoke, he had this delightful, charming, English accent. What I found even more endearing was his presence. He was on National TV in front of millions of people and yet, he seemed to be shy. And that’s when I became the number one fan of the English crooner, who would later be billed as “The Last of the Romanticsâ€, because of all the romantic ballads he sang.
In the years that followed, I bought every new album of his as soon as it hit the stores. Not to mention I went to every local Engelbert concert, as well. Once, when I was in the audience, he actually took hold of my hand and serenaded me. Of course, I was mush for the next few weeks.
Because he had made guest appearances on some of the shows at CBS, I was given the chance to have my picture taken with him, during the different stages of his career (when he was clean shaven, bearded, with sideburns–without, long hair, short hair, dark headed, blond). With all of our encounters together, do you think he remembered me? Probably not. He had too many fans to keep up with. But that’s okay, I remembered him.
My most memorable meeting with Enge (as he called himself) was when I caught him coming out of a secret exit of the Riviera Hotel in Las Vegas to catch his limo ride. I ran up to him and when I did, he held me in his arms and kissed me. This was a common practice of his with his fans. But instantly, the mood was spoiled when one of the guys from his entourage started to grope me from behind. The magical moment was gone when I turned around and told the guy if he didn’t get his hands off me, I was going to slap him. The threat sobered him up quickly. When I turned back to Enge, he was inside his limo, ready to be driven away.
When I met up with him again it was at CBS, when he was appearing as a guest on The Jim Nabors Show. During his week of rehearsals I got to observe him, not as a fan watching her favorite singer, but as a show business insider, watching a professional at work.
For all the hours upon hours that I observed him at work (okay, let’s call it like it is, stalked him in the studio), he was always on time and well prepared for his performances. The cast and crew liked him and I never saw him push his weight around because of who he was. He was also a perfectionist when it came to his music and knowing what he wanted from it. He had all the traits of a true professional.
All the times I saw him, he never denied me a picture whenever I would asked him to take one with me, and was gracious when I introduced him to my parents. As for them, they were so thrilled to meet him, you would have thought I was introducing them to their future son-in-law (if only).
I’ve also seen Engelbert at his worst, when he was in so much pain that they had to shut down production early so he could be rushed to a local dentist’s office because of a nagging toothache that he had been plagued by all week. But seeing him at his worst also gave me the opportunity to see him at his best. As he was being whisked out the “Artist Entrance†by staffers for his emergency dentist visit, he was stopped by a fan who told him that her little girl was his biggest fan. Putting aside his pain, he stooped down to the child’s level. “Come here, babyâ€, he said coaxing her over to him. When she came to him, he put his arms around her and gave her a kiss. Then he was off to the dentist. As for me, I fell a little bit more in love with him that day.
I remained a loyal fan for many a year, until the ballads he sang weren’t as romantic as the earlier ones were. The shyness he used to display was no longer there and his act was replaced with silliness. The same way Elvis changed his attire from wearing black shirt and pants to wearing jumpsuits, Engelbert’s trademark tuxedo was replaced with flashy outfits. But I suppose all of it was just a sign of the times.
My infatuation with the superstar truly ended when I learned he had had numerous indiscretions with women he had picked out from his audiences. Several of these liaison produced illegitimate children for this father of four, who was still married to his wife.
Although knowing what I know about rock stars and super heroes today, this probably shouldn’t have surprised me…but I guess I had expected more from someone once labeled “The King of Romanceâ€.
Would I ever go see another one of his concerts again? I have and I will. I mean, if his wife has forgiven him, I guess I can. I did buy his autobiography but haven’t gotten around to reading it yet. I’m not sure I’m ready to read about all of his “naughtiness†(as he calls it) in print.
I will always think back fondly of the time I was enthralled with the singer called Engelbert Humperdinck. His voice, his looks and his charm, just made me fall more in love with romance. And what could be more inspirational for a romance writer than that?
4 0 Read moreLast month, we heard from over a dozen authors who shared their writing routines with us at Routines for Writers. If there is one clear take-away, it is that there is no one right way to write. Perhaps not even one right way for each person.
When I started to realize that I identified with both the structured writers and the less structured ones, I began to ask myself some hard questions. Am I really as structured in writing as I think I am? If I were, wouldn’t I get more work done? If I tried more unstructured writing methods, would I be more successful?
The advice “learn what works for you†has never seemed more apropos. Because the advice I’ve been giving myself is not really working.
I’m a logical thinker in many ways. I worked in various areas of accounting and finance for close to fifteen years. I love playing with numbers, planning trips, and working with budgets – just for fun. So when I started to get serious about writing, I applied the same techniques to writing that brought me success in accounting. While sometimes everything aligns so that I’m producing massive amounts of work for a while, it doesn’t last. I finish books, but not with a routine or regularity that I can build a writing career on. At least, not according to conventional wisdom.
Which says to me that my routine is not working. More specifically, the way I think about routines and how to choose one for writing is not working.
Last week was the first week of class in my Master of Arts in Creative Writing degree. (Yay!) A very good time to re-think routines. I’m going to go back over last month’s guest blogs and highlight the areas that made me stop and think, “Yes! I get that!†Many of those moments popped up when I was reading about the less-structured writers. A bit of a shocker really.
Maybe my creative brain is trying to tell me that the structure I’m trying to impose on my writing is simply not a good fit. Maybe if I listen carefully, I will hear my brain suggesting some new ideas. I can’t wait to see how this year turns out compared to what I expected when I made my 2010 goals.
What about you? Did you have any ah-ha moments while reading any of the Author Crush blogs? Have you found that the routine you find successful in other areas of your life is or is not successful in your writing life?
Kitty Bucholtz writes light urban fantasy novels, romance novels, magazine articles, and really, anything that comes to mind. She is the co-founder of Routines for Writers (http://www.routinesforwriters.com/ ) and a post-grad student in the Master of Arts in Creative Writing program at University of Technology, Sydney in Australia. Even though she loves talking about, writing about, and teaching about writing, she’s pretty sure she knows at least three people who aren’t writers.
0 0 Read more“You are never given a wish without also being given the power to make it true.†Richard Bach
A friend gave me a plague with the above quote inscribed on it many years ago. The plague still remains hung on my office wall and that quote has inspired me to take steps in my life that I might not have taken otherwise.
One path I started on was to strive to write for publication and years later, I’m finally seeing my dreams come true. My first release, OBSSESED BY WILDFIRE, hit the cyber-shelf this past Wednesday, January 27, 2010! I’m so excited.
OBSESSED BY WILDFIRE is not my first completed novel, it’s not even my second or third. Does its ranking, among my completed works, diminish the excitement which tingles my entire soul today? Ah, NO!
OBSESSED BY WILDFIRE is rated HOT! I didn’t know I could write HOT.
Finally, I hope you’ll visit my website http://www.autumnjordon.com/ and check my next release, Evil’s Witness, my Golden Heart entry.
Autunm Jordon
2009 Golden Heart Finalist
Obsessed By Wildfire January 27, 2010 The Wild Rose Press
& Evil’s Witness June 18, 2010
http://www.autumnjordon.com/
How many of us wonder, as we’re pounding out the lives of our hero and heroine, if there can be justification for Romance writing such times as terrorist attacks in war zones the tsunami in the Indian Ocean or the earthquake in Haiti. Can we justify spending so much time at our keyboards with, to be honest, very little hope of remuneration? Shouldn’t we be doing something?
The same questions come up for anyone deeply involved in what some might call a non productive hobby or career or avocation. And we who feel deeply worry the most about our place in the world. We each do what we can in our own way.
Spinning tales out of mid air is a time honored method of dealing with difficult times. “Tell me a story,” whispers the frightened child, looking for distraction from the sounds in their closet. “Tell us a tale,” commands the King when a new Bard comes to visit. “Make our heroes bigger and braver, our villains more evil, and our princesses even more beautiful.” Tell us a tale, and take us away, if briefly, from our every day world. Give us something else to think about, if only for the next few minutes.
I know I’ve certainly thought this more than once, and said so to someone whose opinion was very important to me. She asked back: “If you stopped writing or showing dogs or riding horses would those tragedies go away?” She did have a great way of cutting an issue down to basics, and also reminding me very few people are so important their actions influence the world. A lot of people might think they are that important but that’s a matter for another time. None of us can stop the ocean or earth from expressing themselves.
Andre Norton wrote of heroes from the unlikeliest backgrounds, mostly what might be considered “throw away” people in the slums left over from horrific intergalactic wars. I wonder if this was her method of dealing with the lost children and lost people after governments have rolled over top of citizens? Certainly her “ordinary people” did extraordinary things, once they recognized their own value. Could some of this also have to do with why some of us create characters who can stop the ocean and who can communicate with the earth to convince her not to shrug so hard, or in such a vulnerable place?
We each do what we can, in our own way, to deal with tragedy. Whatever we do, we also reach out to each other, to the other spinners of tales, for the comfort of at least a few hours of relief from the unrelenting worry. And perhaps our words are read by someone who needed that particular story at that particular time. Hug your loved ones.
Monica Stoner
tsent@ix.netcom.com
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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