February Contest Deadlines
Updated and all sites tested…Compiled by Donna Caubarreaux….May be forwarded with credits.
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EA = Electronic Format Available
EA/Non US = Electronic for Foreign Entries
EO = Electronic Only
MO = Members Only
U = Unpublished
P = Published
P/3 = Not published in three years
Pnr = Published, but not by RWA standards
PC = Not published in category selected
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Stroke of Midnight Contest (U – PC – EO)
Passionate Ink
Received by February 7, 2011 (Extended)
First thirty-five pages. (at least 10K words)
http://www.passionateink.org/contests/#unpublished
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The Shelia (EO – U – P/5)
Valley Forge Romance Writers
Deadline: February 11, 2011
Total of 35 pages, includes synopsis (not to exceed five pages)
http://www.vfrw.com/
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The Sandy (U – EO)
Crested Butte Writers
Deadline: Midnight – February 13, 2011
First twenty pages and up to two page synopsis.
http://thesandy.org/sandy.php
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Between the Sheets
Greater Detroit RWA
Deadline: February 14, 2011
Entries shall include a ten-page love scene (sweet to erotic) and a one-page
unjudged set-up.
http://www.gdrwa.org/contests…html
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2011 Manuscript Contest
Writers’ League of Texas
Deadline: February 15, 2011 (Postmarked or Delivered by 6:00 PM)
One page synopsis (250 words) and first ten pages (2500 words).
http://www..writersleague.org/contests/manuscript.html
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Fire and Ice (U – P/5)
Chicago-North RWA
Received by February 16, 2011
First twenty-five pages.
http://www.chicagonorthrwa.org/contest.shtml
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Jeannie Gray Golden Frendship Award (U – Golden Heart Entrants)
GH99er Loop
Received by Midnight EST on February 18, 2011
250-300 word essay. Topic is on website.
http://jeannieaward.wordpress.com/
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PNWA Literary Contest (U – EO for romance entries)
Pacific Northwest Writers Association
Received by February 18, 2011
Twenty-eight page limit which includes synopsis.
http://www.pnwa.org/displaycommon.cfm?an=6
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Check out Contests and Contest Winners on: http://contestdivas.blogspot.com/
Check out the Award Winning Romance Books on:
http://awardwinningromances.blogspot.com/
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Contest Alert-All the news on upcoming contests, plus Finalist and Winner
listings, questions, etc. Sign up now!
ContestAlert-subscribe@yahoogroups.com
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Announcement only list:
ContestDeadlines-subscribe@yahoogroups.com
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For Published Authors
ContestAlertPublished-subscribe@yahoogroups.com
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If you’re a Contest Judge, join
ContestsJudges-subscribe@yahoogroups.com
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Donna Caubarreaux is a member of Coeur de Louisiane, Scriptscene Chapter, NOLA Stars, Heart of Louisiana, and Kiss of Death. She received a RWA Service Award in 1997
Online Class
July 12 – July 24, 2010
Enrollment Information at http://www.occrwa.org/onlineclassJuly10.html
This is only a 2-week class.
COST: $10 for OCC members, $15 for non-members
If you have specific questions, email occrwaonlineclass@yahoo.com
ABOUT THE CLASS:
Join award-winning medical suspense author CJ Lyons as she explains the secrets to successful pitching, tips to engage an editor or agent through your query letter, and reveals the creation of a high concept.
CJ has received requests for manuscripts every time she pitched. She’ll help you feel more comfortable during your pitch session and more confident with your pitch. This workshop will help you polish your query letter, create a pitch, and prepare you for meeting an agent or editor.
About the Instructor:
As a pediatric ER doctor, CJ Lyons has lived the life she writes about. In addition to being an award-winning medical suspense author, CJ is a nationally known presenter and keynote speaker. She has been invited all over the country to present her workshops and speak to audiences ranging from physicians to first responders to romance and thriller authors including: Colorado Fiction Writers, Oklahoma Writers Federation, the University of South Carolina at Beaufort, RWA National, MWA’s Sleuthfest, Lowcountry RWA’s Master Class, Left Coast Crime, and PennWriters, among others.
CJ’s award-winning, critically acclaimed Angels of Mercy series (LIFELINES, WARNING SIGNS, and URGENT CARE) is available in stores now with the fourth, CRITICAL CONDITION, due out December, 2010. Her newest project is as co-author of a new suspense series with Erin Brockovich. To learn more about CJ and her work, go to http://www.cjlyons.net/
Enrollment Information at http://www.occrwa.org/onlineclassJuly10.html
COST: $15 for OCC members, $20 for non-members
Coming in August 2010–
“Understanding Menâ€with Dr. Debra Holland
Do you wish you had a better understanding of men? Now is your chance to improve your real-life relationships with men and enhance your male characters all through taking the same course. This will be a five-week session with new material that this award-wining romance writer, who also is a noted psychotherapist and consultant, has developed on how male sexuality affects responses, attitudes and behaviors.
http://www.occrwa.org/onlineclasses.html.
Check out our full list of workshops.
Want to be notified personally two weeks before each class? Be sure you’re signed up for our Online Class Notices Yahoo Group! Sign up at the bottom of http://www.occrwa.org/onlineclasses.html or send a blank email to OCCRWAOnlineClassNotices-subscribe@yahoogroups.com
********** permission to forward **********
0 0 Read moreImpotence – a word to strike fear in the hearts and minds of men. For women, an opportunity to be understanding and supportive. Maybe. What about for a writer?
Could the dreaded writer’s block, though proclaimed by some writers to be non existent, at best a crutch for non-productive writers, be our own form of impotence? The thought came to me as I was putting fingers to keys on a new project. My basic method has always been to start with a scene and keep writing until I get stuck, making up names along the way. Generally I know where the story is set and why these people are in the story. Sometimes I write more than I might need for that specific story but it all comes together in the end.
Then I was told about plotting, and how important it is for efficient story telling. Always eager to learn new ideas, I thought ‘Why not?’ and proceeded to lay out the story prior to writing. Then found out once I’d done that, I wasn’t as driven to write the story – hadn’t I already done so? Okay, so maybe I was using the wrong method. Enter years (no kidding) of books and seminars and on line studies. No writing, mind you, but tons of theory.
Then someone introduced me to data bases for writers. Where you can treat the computer like a succession of yellow pads, plus sticky notes. Now how cool was that??? I downloaded the one that looked best to me, started in on the book that had been beating at my skull from the inside. Here we go, I thought. On the way to . . . nowhere. Mental impotence. The dreaded, perhaps non existent, writer’s block.
Drat.
It looks like the answer, for me at least, is to go back to those Halcyon days when I knew nothing about planning a book, about plotting, about scene beats, story arcs, defining moments, and just write. Then after the story is out of my mind, and there’s room up there for more technical stuff, I can apply those principles necessary to a publishable book. Coming in from the back door, I suppose, but there is always more than one door into the keep.
Once I can convince my creative self I won’t be imposing any more limits and rules, I’m thinking the ideas will start up again. Or hope, since I don’t think the drug companies are going to make any great strides toward developing some sort of mental Viagra.
Monica Stoner
tsent@ix.netcom.com
We’re only given a little spark of madness; we mustn’t lose it
0 0 Read moreWhat defines us as writers? Some say the act of writing, of pulling words from our heads and putting them on pages, defines a writer. If that’s the case, when we don’t write, do we cease being writers?
We all agree publishing of any sort does not define us as writers. Publishing is the public acknowledgment of our writing. The same as hanging a painting in a gallery, or selling sculpture recognizes a large step in an artist’s life. However, creating that artwork has already identified that person as an artist. When asked, they can point to the sculpture, the hand thrown bowl, the oil painting, as an affirmation of their identity as an artist. When not currently producing, they still have that proof of their creative spark.
How long after we cease to torture our bodies by sitting for hours in front of our computer and cudgel our minds for just one viable idea can we continue to call ourselves writers? Is there a specific length of time, or maybe one day we just wake up and decide it’s time to move on to something else? If, after a span of time, we plan to take up the challenge once more will we be still writing, or writing once again? Do we call ourselves once and future writers?
Teachers and nurses retire; pilots retire; and certainly soldiers and policemen retire. Once they have made that change in their lives, they are former teachers, pilots, etc (except Marines – I understand once a Marine, Always a Marine). Do writers ever retire? Or do they plan to be found, pen in hand, yellow pad on their lap, jotting down one final thought? Maybe writers are the Marines of the cerebral world – once a Writers, always a Writer?
Where is this leading? I’m not really sure. I just know by the act of dragging these words out of my head and into my fingers, I’ve gone from not writing to writing. So I guess I’m still a writer. And next maybe I’ll discuss wonderful writing data bases and why they don’t work for everyone.
Monica Stoner
tsent@ix.netcom.com
We’re only given a little spark of madness; we mustn’t lose it.
April is just around the corner, and a few days later, the April 10th Contest Deadline.
If you are planning to enter and have your writing reviewed by the many fabulous published author volunteers, please ensure that you allow for sufficient mailing time.
Thank you to those contestants who have already submitted their entr(ies).
This is shaping up to be a fantastic contest year,
Lynn Nissen
2010 Orange Rose Contest Coordinator
* * * PERMISSION TO FORWARD * * *
Twenty-Seventh Annual Orange Rose Contest for Unpublished Writers
NEW! Electronic Entries for RWA Members who reside outside the continental
United States
Deadline: April 10, 2010 – Limited to the first 150 entries
Enter: Synopsis and beginning of unpublished manuscript (first 55 pages maximum)
Categories:
* Contemporary Category Romance
* Erotic Romance
* Historical & Regency
* Inspirational
* Mainstream with Romantic Elements
* Paranormal/Time Travel/Fantasy
* Romantic Suspense
* Single Title Romance (over 70,000 words)
Fees: OCCRWA Members: $25.00, Other RWA Members: $35.00
First Round Judges: 3 published authors
Top ten finalists will be announced July 10, 2010 and are chosen by their
overall score, NOT by category.
Finalist manuscripts are judged by two editors who acquire in the appropriate category for the finalist entry(ies) and are selected AFTER the finalists are determined.
The final round editor/judges in 2009 were:
* Beth Adams, Guidepost Books
* Alicia Condon, Dorchester
* Selina McLemore, Grand Central
* Talia Platz, NAL
* Danielle Poiesz, Pocket Books
* Emily Rodmell, Steeple Hill
* Diana Ventimiglia, Harlequin
* Deb Werksman, Sourcebooks
* Adam Wilson, MIRA/HQN
Cash prizes: 1st – $100, 2nd – $75, 3rd – $50, 4th – $25
Rules/Entry Form and Sample Score Sheet: http://www.occrwa.org/orangerose.html
Questions: Contest Coordinator: Lynn Nissen. Email: orangerose@occrwa.org
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Guess what I did on my vacation…eloped with my boss.
More info →She knows in her blood and in her bones that her Destiny is a member of the Clan. She must reject him as an enemy. But can she?
More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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