Updated and all sites tested…Compiled by Donna Caubarreaux….May be forwarded with credits.
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EA = Electronic Format Available
EA/Non US = Electronic for Foreign Entries
EO = Electronic Only
MO = Members Only
U = Unpublished
P = Published
P/3 = Not published in three years
Pnr = Published, but not by RWA standards
PC = Not published in category selected
MAY CONTEST DEADLINES
Bad Kitty II
Inland Valley RWA
Emailed or postmarked by May 1, 2011
First fifteen pages + one page synopsis (Kitties and/or Werewolfs)
http://inlandvalleyrwa.wordpress.com/bad-kitty-ii-bigger-and-badder/
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Break-Up Contest
Alaska Romance Writers
Received by May 1, 2011
Enter break-up or dark moment scent, limit to ten pages, with up to three page set-up.
http://www.alaskawriters.com/membersites/akrwa/about.html
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TARA Contest (u – P/3 – EA)
Tampa Area Romance Authors
Received by May 1, 2011
The first chapter, 4,000 words max (actual word count), including prologue if applicable.
http://www.tararwa.com/contest/contest.php
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Golden Claddaugh
Celtic Hearts romance Writers
Due by May 5, 2011
First thirty pages + up to five page synopsis.
http://www.celtichearts.org/contest.html
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Maggie Award for Published Authors (P)
Georgia Romance Writers
Deadline: May 8, 2011
Copyright of 2010
http://www.georgiaromancewriters.org/the-maggies/2011-maggie-awards-for-published-romance-novelists-rules/
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The Molly Contest (EO)
Heart of Denver Romance Writers
Received by May 15, 2011
First thirty pages (max) + five page (max) synopsis
http://www.hodrw.com/contests/the-2010-molly-unpublished-writer-contest/
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Ignite the Flame
Central Ohio Fiction Writers
Postmarked by May 16, 2011 or Emailed by same date.
Entries should be 15 pages MAX, with an optional one-page, un-judged, set-up. (No synopsis) Entries should be the first meet or first reunion meeting of your hero and heroine.
http://www.cofw.org/contest.html
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Weta Nichols Writing Contest (U – EO)
Ozark Romance Authors
Received by May 16, 2011
First ten pages.
http://www.ozarksromanceauthors.com/
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Donna Caubarreaux is a member of Coeur de Louisiane, Scriptscene Chapter, NOLA Stars, Heart of Louisiana, and Kiss of Death. She received a RWA Service Award in 1997
0 0 Read moreby Monica Henderson Stoner, Member at large
Romance writers write romance. Sometimes they write romance with a twist or hyphen. And sometimes they write romance with a subtle message, one that might stop the reader mid paragraph, and have them thinking about other than boy meets girl.
I’ve come across these books in the past, and taken away something more than just a story. One of the first was Kathleen Korbel’s JAKE’S WAY, about a man who gives up his own dreams to help his family, who never realize he can’t read. Korbel whammied me again with A ROSE FOR MAGGIE, about a charming baby with Down’s Syndrome, and then A SOLDIER’S HEART, reminding me PTSD wasn’t just for the men in the field. She wrote about the agony of anorexia in SOME MEN’S DREAMS and about overcoming deep seated fears in both WORTH THE RISK and PERCHANCE TO DREAM.
Suzanne Brockmann faces issues head on. Dealing with Alcohol or drug dependency started with HEART THROB and continues right through the Troubleshooter books. Who can’t love Jules, gay and proud of it, who wanted a partner he could walk with in sunshine? People doing the right thing for the wrong reason, and people doing what has to be done even when no one else realizes what they’ve done, come alive in her books.
Then we come to SEIZE THE FIRE, a heart wrenching story of dealing with the horrors of war in a time when an officer and gentleman was supposed to keep a stiff upper lip and soldier on. FLOWERS FROM THE STORM, a stroke bringing a genius down to near disaster; THE SHADOW AND THE STAR, a young man overcoming a depraved upbringing. Laura Kinsale makes me think while enjoying her stories.
None of these authors hit me over the head with their MESSAGE. I’ve seen and tried to read books with a THEME, sometimes a worthy theme such as racism or man’s inhumanity to man. All valid high concepts but when your theme gets in the way of your story, sometimes people stop reading all together.
More recently, I learned from a fellow LERA member about Best Buddies International: http://www.bestbuddies.org/ a non-profit organization dedicated to establishing one-on-one friendships for people with IDD (Intellectual and Developmental Disabilities). Their goal is to ensure these people have friends to call them. Gabi Stevens wove IDD into her newest fantasy romance AS YOU WISH, which I’m looking forward to reading.
For myself, I’m polishing TEACH ME TO FORGET, about a woman overcoming a depraved marriage and making something of herself, then learning to trust.
Happy reading and writing!
0 0 Read moreNon-writers have no idea how physically demanding being a full-time writer can be.
What? Do I hear you laughing? Not so fast.
Give some thought to what happens to a body when it spends eight or ten or more hours per day in a sitting position. (Granted, I have writer friends who sit curled up in a big easy chair with a laptop all day, but that can’t be too swift on a body either.)
Wrist and elbow problems, and carpal tunnel, are as frequent as typos for writers.
The spine — all those discs and vertebra — can turn on their owner, resulting in serious orthopaedic problems.
Knees and hips are joints that are meant to move, not remain immobile for hours on end. (I assume you’ve heard of the condition called ‘piano player’s spread.’ Same problem for writers.)
And then there’s the foggy brain syndrome which is a result of hours of being sedentary and no blood reaching the brain.
Writers have to get up and MOVE! Deadline or not. MOVE!
Some folks have home gym equipment like a treadmill. (Please note: Treadmills are only effective if used regularly, not left sitting in a corner.)
Some writers take walks. That’s a great way to let your brain toy with your latest plot idea or characters.
I’m a member of Curves, the 30-minute women’s exercise program. I haven’t lost a lot of weight, and I’m a long way from being buff, but it does give me a chance to talk to ‘real’ people, in contrast to those talkative characters who inhabit my brain.
So, writers, let’s get moving!
2 0 Read moreUpdated and all sites tested…Compiled by Donna Caubarreaux….May be forwarded with credits.
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APRIL CONTEST DEADLINES
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Fool for Love Contest (EO – U – P)
Virginia Romance Writers
Received no later than Midnight April 1, 2011
First fifty pages plus optional synopsis, five page max.
http://www.virginiaromancewriters.com/Contests/ffl.html
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Magic Moment (U – P/5)
Heart and Scroll RWA
Postmarked by April 1, 2011
First ten pages.
http://www.heartandscroll.com/contest_MagicMoment_rules.htm
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Romancing the Script
Scriptscene Chapter
Deadline: April 1, 2011
First act not to exceed thirty pages.
http://www.scriptscene.org/
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Royal Ascot Contest (EO – U – P/5)
The Beau Monde Chapter
Received no later than Midnight April 1, 2011
First 7K words and optional synopsis limit 500 words.
http://thebeaumonde.com/royalascot/
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Touched by Love Contest (U – P/3 – EO)
Faith, Hope & Love Chapter
Received no later than Midnight April 1, 2011
First thirty pages and unjudged synopsis up to two pages double-spaced.
http://www.faithhopelove-rwa.org/tbl.html
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Orange Rose Contest (U – EO – P/5)
Orange County Chapter RWA
Received by April 9, 2011
Beginning and synopsis not to exceed 55 pages.
http://www.occrwa.org/orangerosecontest/
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Donna Caubarreaux is a member of Coeur de Louisiane, Scriptscene Chapter, NOLA Stars, Heart of Louisiana, and Kiss of Death. She received a RWA Service Award in 1997
0 0 Read moreby Monica Stoner, Member at Large
We sit in front of our screens, our typewriters, our yellow pads, pouring thoughts and emotions out for the world to see with the hopes some day the world will see. Other than our critique partners, our supportive friends and a few anonymous contests judges, our words’ world is very small. We dream of the day we get the call, and as we keep typing, keep plotting, keep running scenes through our heads while going through grocery checkout, deep down inside we start to wonder. What’s it all about? Is it really worth the time investment?
Sure we need to give a home to our characters. One day. In the meantime there are so many demands on our energy, and to say “I can’t, I have to write†becomes weaker and weaker as the weeks, months, and years slide past. Until “I have to write†segues into “I’ll write later†and the span between writing times grows. We pull ourselves out of the pit from time to time, take a class or two, jot down some plot ideas, maybe enter a contest. Or maybe judge a contest, telling ourselves we’re “giving back†or “keeping our hand in.†We keep up our memberships, though sometimes we wonder if that money couldn’t be spent better elsewhere. Giving up our memberships and meetings might mean we are giving up on ourselves as writers.
Because we retain our memberships, nurturing that tiny spark of hope we hope will rise into a flame; because we still plot, still polish, still review, one day we participate in a pitch contest, and we’re asked to submit. Or we learn of a publisher “actively seeking manuscripts.†And we have just that – a manuscript ready to submit to a publisher for consideration. Maybe we’ve done this before with less than stellar results, until “we find your ideas interesting but your writing is not up to our standards†becomes worse than “it’s not you, it’s me, I need live more before I settle down.â€
This time, though, this time it just might be different. And we send our polished, pressed, primped child off to the prom with an introduction but without us to stand behind them when they fall. We get the automatic acknowledgment of receipt with a promise to get back to us, and an advisory to ask if we haven’t heard within a span of from one to three months. One to three months, can we hold our breath that long?
Conditioned by past disappointments, we put thoughts of the submission out of our minds and go about our every day lives. Houses still need to be cleaned, snow shoveled or sidewalks swept and the laundry never ends. We tell ourselves not to hope, not to think about it, and wait for the rejection so we can at least apply for our PRO status. When the e-mail comes back in a long weekend, we sit with fingers poised on the keys, hand dropped over the mouse, take a deep breath, and click. Such a fast response can’t be anything good, can it? The message opens on the screen, and you read:
“I am pleased to tell you that I enjoyed your Into the Woods very much. I found only minor editing problems as I read, mainly punctuation errors, as well as your tendency to shift POV in mid scene, sometimes in mid paragraph. But these are easy fixes. For the most part, Into the Woods is very well written.â€
She said WHAT??
“If you are interested in publishing Into the Woods with us, please let me know, and I will have our attorney prepare a contract for you.â€
Does that REALLY say what we think we’re reading? Better print it out, just in case. Yep, the words are the same on the page as they are on the screen. Gulp. A Sally Field moment, for sure. “For the most part Into the Woods is very well written.†Yep, that’s what she said.
Oh. My. God. It really happened. Someone who doesn’t know you likes your writing and wants to introduce your people to the world. You are a writer. For years you’ve been telling yourself and others the sheer act of putting words on the page makes you a writer. And it does. But now you are a Writer.
Yes, it happened to me. I sent off “Into the Woods†to Black Opal Books on February 17, and had an answer on February 22. I just finished the first round of edits, they want to change the name, and I’m looking at cover art. While doing this for “Into the Woods,†I’m grooming another book to send, this time with fewer dashes and ellipses and without a ping ponging Point of View.
All the years of wishing and hoping and helping out the chapters and taking notes at workshops has paid off. Could I have done it without the fantastic support system set up by and for Romance writers? Maybe, but I doubt it. This one’s for you, OCC. Thank you to everyone who has supported, critiqued, pushed, nagged and given out tough love.
This one’s for Michelle, who gave me OCC’s address. Love ya babe.
16 0 Read moreA Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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