My husband, Will Zeilinger, and I co-write the Skylar Drake Murder Mystery series, a hardboiled series that takes the reader to 1950s Los Angeles and other areas of the west. Our new book, Slick Deal, begins News Year’s Eve 1956 at the Hollywood Roosevelt Hotel, the first murder and clues lead to Avalon, Catalina.
Having to research can be overwhelming, especially for period pieces. Because we write about the 1950s, research is a must for the reader to get the feel for the setting, decade and culture of the novel.
Since there are two of us, we want to make the most of the time spent at the library and/or museums. Splitting the work up and knowing what each of us is looking for needs to be planned rather tightly. Phone calls to the librarian asking how the information is filed can help. Also, the librarian, given enough time, will many times pull the material for you and have it ready when you arrive.
We still use pen and paper because of the rapid pace we research. Be sure your partner is situated at the same table. When we were researching SLICK DEAL at the L.A County Library in Avalon, I came across an article about the Catalina Grand Prix. It was held from 1951-58. I nudged Will. He read it, and his eyebrows went up. We were thinking the same thing…an unexpected subplot!
Then there are the meetings to decide what fits in the story. Several meetings and discussions followed by making lists of plots and subplots.
SLICK DEAL was released April 16, it is the fourth in the Skylar Drake series…and yes, we are still married!
Website: Janet Elizabeth Lynn Website: Will Zeilinger
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My husband, Will Zeilinger and I co-write the Skylar Drake Murder Mystery series, a hardboiled series that takes the reader to 1950s Los Angeles and other areas of the west. Our new book, Slick Deal, begins News Year’s Eve 1956 at the Hollywood Roosevelt Hotel, the first murder and clues lead to Avalon, Catalina.
One of the challenges of writing a period piece is finding the right styles to dress our characters to match their personality. The rich matron, Mayme Wright, was a challenge because she was an integral part of the story. She lived in a mansion in Avalon. So I researched the beautiful fur coats I remembered ladies wearing in New York, (I was born in Queen) in the 1950s. The feel and the weight of these coats were etched in my memory.
Fur coats were glamorous and dressier than the everyday coat used by most people, i.e., the shopping, doctor appointments, etc. They were cut in the same shapes as everyday coats of the fifties. Certain furs looked better in certain styles. The box coat and swagger style looked best with thick fox, sable and seal fur. Faux furs were an option for the less affluent as well as the cheaper squirrel and marmot dyed to look like sable.
The sleeves were wide and open and collars were high and closed with a longer hair fur piece trimming the collar. To keep with the polished style of fur coats, closures were two or three buttons or clasps on the upper part of the coat. Some box styles coats had a single clasp at the neckline. Pockets were slash openings on the coat sides. The wealthy woman showcased themselves by the fur and beauty of her 1950s fur coat.
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While most fur coats were full length or at least hip length, a few came in shorter waist length styles. The cape coat, popular in the 1940s, remained common into the 1950s. Coats like the short fur Diamond brand coat became increasingly popular in the late ’50s and ’60s when styles changed to the slim sheath dress rather than the full circle dress.
For those who could not afford a full-length coat, fur stoles, muffs and shawls were a popular alternative. Fur trim on short or long jackets also added a touch of richness without the outrageous price tag.
Mayme Wright was wearing her sable full-length coat when she went missing in Avalon.
SLICK DEAL is the fourth in the series and…yes we are still married!
Website: Janet Elizabeth Lynn
Website: Will Zeilinger
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My wife Janet Lynn, and I have been writing together for several years and are just completing our fourth co-written murder mystery novel. Since our stories are set in the 1950s, we have to research many of the locations that have either changed or no longer exist. And because our storylines take us to distant places, we travel to many of those sites in order to get it right. Google Earth is great, and the web is invaluable, but there is only so much you can learn from these resources. Nothing beats being there in person. This works out great because we both love to travel.
For our first Skylar Drake Mystery, SLIVERS OF GLASS, we traveled to the northern California wine country, including Sonoma County, Bodega Bay and Santa Rosa.
STRANGE MARKINGS took us to Molokai where we researched pre-statehood Hawaii. This was the only Hawaiian island that wasn’t overly developed and gave us an idea of Hawaii before all the high-rise buildings.
Las Vegas in the mid-1950s was the setting for DESERT ICE. Most of our time was spent in the Special Collections at the UNLV Library, the Clark County Library and the Nevada State Museum. The Mob Museum to really give us the flavor of Vegas in 1955. We also had the opportunity to interview a Las Vegas Dancer and the daughter a notorious mobster who lived there in the 1950s.
When we tell friends and family about our trips, they turn green with envy and mistakenly think we are on a vacation. Nothing could be further from the truth, although we do learn things a “normal” tourist wouldn’t. We are entertained by the people we meet and the historical tidbits that come to light during our research.
Success in our research may stem from the questions Janet asks hotel staff, restaurant wait staff and sometimes random residents we meet on the street. She’ll ask, “If you needed to dump a dead body around here… where would you put it?” The result is one of two different reactions. First: The person will take a couple of steps back and look around for an escape route. Or Second: They’ll provide specific locations of abandoned buildings, intersections, cemetery names, coves, cliffs or other places. This can seem a bit disconcerting, because that response means they’ve thought about this in depth. There are times I’ve felt like taking a couple of steps back myself.
Our most recent book is a prime example. SLICK DEAL is set in 1956 on Santa Catalina Island. (only twenty-something miles off the coast of southern California.) We did exhaustive online research before consulting the Long Beach Main Library. We happened to be on Catalina Island for other reasons a few months ago and stopped in at the Visitors Center. They also referred us to the Avalon branch of the L.A. County Library , which happened to be closed at the time we visited. We next visited the Chamber of Commerce, who, once again, referred us to the Library. This wasn’t going to work, so we visited the Catalina Conservancy. Guess where they referred us. Yes, the Library. We thought we had it solved when we went to the Catalina Island Museum. Again, they said, to try the Library. This prompted another visit to the Island when the Library was open. We scheduled it during the month our story took place and many questions were answered. The staff was helpful and even provided white cotton gloves so we could rummage through their archives.
Some of the most interesting facts came from the guide at the Avalon Casino “Frankie of Avalon,” who grew up on Catalina. There was also a fellow at the golf-cart rental shop, and a couple of waiters. Does that sound like a relaxing vacation?
Once we visited these locations, we were struck with inspiration and appreciation for the locales.
Online research is great, but physically visiting the places where your story takes place can supply all your senses with sights, sounds, smells, tastes, and the personality of the people you meet. As a couple writing together, we have a great time and, after four books, we’re still married.
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As many tourists will tell you. One of the most recognizable landmarks of Hollywood (besides the Hollywood sign and the Chinese Theater) is the round Capitol Records building. It opened on April 6, 1956. That evening a red light on the tip of the spire atop the building at 1750 Vine Street (a couple blocks north of Hollywood Boulevard) began spelling out H-O-L-L-Y-W-O-O-D in Morse code. Then Capital president Alan Livingston ordered the light be added as a symbol that the Capitol Record label was the first with a presence in Los Angeles. Except for the years 1992 when the light blinked out C-A-P-I-T-A-L 5-0, celebrating Capitol Records fiftieth anniversary and 2016 when it flashed C-A-P-I-T-O-L 7-5 for the company’s seventy-fifth anniversary, the red light atop the spire continues to flash the original message.
World famous singers and musicians made Capitol Records their label, including: Nat King Cole, Ella Fitzgerald, Billie Holiday, Frank Sinatra, The Beach Boys, Judy Garland, Dean Martin and many more.
Even the most casual observer can see that the wide curved awnings over the windows on each story and the tall spike emerging from the top of the building resembles a stack of records on a turntable. But, Lou Naidorf, the building’s designer, didn’t have that in mind at all.
While Hollywood has undergone a lot of changes, this landmark has held its ground. Even in the 21st century, while many well known artists are recording music in a digital format. Turntables and vinyl LPs have regained popularity. Perhaps the meaning of the Capitol Records building’s design will once again be connected with the entertainment capitol of the world.
This iconic building was featured in several movies, including the 1974 movie “Earthquake,” 1997’s “Volcano” and 2004’s “The Day After Tomorrow” where it met an undignified demise. Despite these cinematic disasters, the light atop the building blinks out its H-O-L-L-Y-O-O-D message to this day.
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My husband, Will Zeilinger, also a published author, and I decided to come together and write a 1950’s hard-boiled mystery, the Skylar Drake Murder Mystery series.
Without organization, nothing, and I mean nothing, would get done!
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Though we each bring different things/skills to the table when it comes to writing, I am the one who seems to get the organization together. During the early life of the novel, we start off brainstorming. No idea is too “outrageous” or “stupid” to write down. This includes characterizations, character names, background, and their part in the story.
From there come several plots and subplots. An in-depth discussion of each follows. We then find the main plot that may even be several subplots melted together. This comes about over several meetings, we try to limit them to five. If we need more than five meetings to get any one of the issues resolved, something is usually wrong with the characters, plot or subplots and we revisit it by going back through prior meeting notes.
Each meeting needs to have a specific purpose. Agendas are a great way to keep the discussions on track. When writing mysteries, like we do, this is an absolute must. We keep copies of all meeting agendas and decisions which helps with future reference, especially when we are stuck and can’t remember why we made the decision we did.
From this point, we set a timeline for when things need to be completed. If we do not meet a timeline that is a warning to get going and focus.
The results? SLIVERS OF GLASS, STRANGE MARKINGS and DESERT ICE. Our fourth book in the series, SLICK DEAL, will be released in February 2018…and yes, we’re still married.
Janet Elizabeth Lynn
Website: www.janetlynnauthor.com
Blog: www.themarriedauthors.blogspot.com
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