A new collected anthology of stories, pictures and poetry with a saucy seaside feel, edited by The Northern Birds Lucy Felthouse and Victoria Blisse.
The Smut By The Sea Anthology will feature stories from a variety of genres, but they must have that overall “Seaside†feel, either in location or style. If you’d like some clarification before submitting your story then please Contact Us.
Length: 4,000 to 6,000 words;
Genres: Any:
Heat Levels: Any;
Ending: Any;
Orientation: Any;
Submissions Due: June 1, 2012. Also accepting Poetry submissions of any length.
Royalties will be split 50% of the net profits with contributing authors, exact values will be given once we know how many stories will be in the final anthology.
You can submit your story/poem by emailing it as an attachment to victoria[at]victoriablisse.co.uk. (Please include Pen Name, Author Bio, Genre, Word count)
For more information, visit http://lucyfelthouse.co.uk/blog/call-for-submissions-smut-by-the-sea/?utm_source=rss
Self-Publishing
Everyone is talking about self-publishing at the moment. For those of us who have a backlist that is sitting there doing nothing, it is a good thing. If your book is out-of-print or just been out so long it really doesn’t sell at the publisher’s list price, self-publishing is the way to go if you can get your rights back. You can also put that book that is under your bed because it didn’t really fit anywhere and no publisher would take it, but you know it’s a good story.
I have several of my backlist up at Kindle and Nook. I am starting to put them up at Smashwords. What I learned with my first one, Wild Honey, was that putting it at Kindle and Smashwords was not the way to go. I took it down from Smashwords after seven months and put it on Nook myself. It had been on Nook through Smashwords. I made in one week by myself at Nook what I had made in the seven months it was with Smashwords at Nook. Smashwords does hit other sites, so there is some money to be made with Smashwords. It is a lot like the small publishers, however. Smashwords has to wait for the money to come from the sale sites and they are not that speedy at sending out payment.
The other side of self-publishing is the money. Some people make a great deal of money with what they publish. Certain books sell more than other books and there really doesn’t seem to be a reason. Western romances seem to be the biggest sellers. Others make a much smaller amount, but enough to make it worthwhile. I made as much on A Moment In Time in the first month at 99 cents than I had in the last four years. It wasn’t a great deal, but it was nice. I figure a total of approximately $500 a month for all my books is worth the effort.
It is worth the effort if you keep your expenses down to get it put up. Those who make a great deal of money, like Debra Holland, can afford to pay people to do the work for them. People like me, who only make a few hundred dollars a month, maybe don’t want to spend too much to put their books up. Me, I’m cheap and don’t want to pay lots of money to someone else. I can’t do covers, so I pay Lex Valentine. She does really nice work. The rest I have learned to do myself. I can format and upload so the only thing I pay for is a new cover. Jackie Hamilton learned to make her own covers so she can do it all.
I have formatted manuscripts for a some other people. The thing I learned is that it is tedious, boring work. It is even more tedious and boring than grading essays all day, which is my other job. I never figured I’d find something more tedious than grading papers.
I hope everyone is working toward their 2012 goals. I have one finished. Yeah!
0 0 Read moreA highly rational friend recently noted with some surprise that sometimes just saying a problem out loud helped him figure it out.
And why was that?
Have you ever been struggling with something, felt a lack of clarity on which direction to go in, or even understand how you felt about an issue?
Have you written about it in an email, a letter, a journal and gotten an insight from the act of writing? Or talked to someone about it, and gotten a better perspective, even though the person you were talking to hadn't said anything? Or even just bounced something out loud into an empty room, and found an answer rebound back to you?
I expect many have. Most likely everyone has just accepted that experience as being just a strange exercise that for unknown reasons simply seems to works.
But for my rational friend, achieving that insight through those means was a surprise. For him, there hadn't seemed to be any point in talking or writing about the same information or questions that were in his head—what difference would it make? The information was already in his head, it wouldn't change from being said out loud or written down. So it got me thinking—well, why does it help?
And I came up with this analogy:
Do you remember math problems where you would be given a sequence of numbers and asked to figure out what the next number in the sequence was supposed to be? Well, the more numbers you were given in the sequence, the clearer the underlying formula was. So if you were only given one number, correctly guessing the next would be impossible—too many options. If you were given two numbers, then your chances were better, but still had a very high level of uncertainty.
For example 2 doesn't give you much to go on. 2, 4, gives you a lot more, but not enough. The sequence could be 2,4,6 or 2,4,8. So with three data points, you can be far more confident of perceiving a pattern, making an assumption, getting clarity.
So my theory is that when you have a problem/issue in your head, that's one data point. But when you say it out loud, so you are knowing it, thinking it, saying it and hearing it, or additionally writing it and reading it, you are adding more data points and increasing your ability to make a more accurate assumption, to chart a more solid course. And agreed, some of these point only offer a tiny bit of new information–a slightly richer or more detailed appreciation, a new perspective, but it's something; it helps.
In one of those Malcolm Gladwell books, he talks about how you can have a group of two or three friends, but if it expands to four or five, the group often falls apart. He noted that one more person isn't just an addition of one, but for everyone in the group, so the increase is exponential. Everyone is managing not only their own relationship to each person in the group, but observing & incorporating each permutation of every element of each member of the group.
So if you have a group of three, A, B, C, you need to maintain awareness of the relationships between A/B, A/C, B/A, C/A, B/C, C/B and ABC. If you add D, it goes from 7 separate relationships to 16 (A/B, A/C, A/D, B/A, B/C, B/D, C/A, C/B, C/D, D/A, D/B, D/C, ABC, ABD, BCD, ACD). Yes, OK, I may not have all the math right, but you get the point.
The more points you can chart or the more ways you allow your brain and intuition to process information, the better it will be able to build a viable theory, or chart a hypothetical direction to consider.
Also, it's very hard to lie to yourself when you are writing in a journal. Much easier to wrap yourself in denial and not go there if it's just in your head, or even talking. And in fairness, sometimes you don't even know you are lying to yourself until you write something down. Reading it, you think…well, no, that's not quite right, and start thinking about what is actually true.
It is helpful to get an external perspective on things—that's why editors were invented. But if you don't have an editor or critique group, or a boss or anyone to be a sounding board, try putting it out there & using yourself.
You'll have a point. Maybe more than one….
Get your sextant out!
0 0 Read moreMonica Stoner writes as Mona Karel. Read more on her blog, Discover the Enchantment in Romance or buy her books from Black Opal Books.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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