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How Is Your Grammar Fitness?

May 26, 2014 by in category Archives

Our upcoming OCCRWA Online Class is Grammar that Matters with MM Pollard, editor with Black Velvet Seductions and Grammar Teacher Extraordinaire. She joins us today to talk about the class and to give everyone a little quiz:


Today, almost everyone, it seems to me, is studying, promoting, or writing about physical fitness. I Yahooed “physical fitness” and got over eight million hits, yes the number 8 with 6 zeroes following it.

The TV show The Biggest Loser promotes the goal of becoming physically fit by offering money to the person who loses the most weight. Many fitness clubs have the same contests and offer prizes for their biggest losers.

But what about grammar fitness?

I was curious after finding over eight million hits for “physical fitness” on the Internet, so I Yahooed “mental fitness” and got 363,000 hits.

Raise your hand if you think The Big Bang Theory promotes mental fitness. I’m undecided. The smart characters are dorky, don’t you think?

But what about grammar fitness?

I admit it—I’m a grammar geek. I Yahooed “grammar fitness” and got 5,760 hits, most of which referred to one computer program named Grammar Fitness.

A computer program is what I found. Can’t think of a TV show that promotes grammar fitness? Can you? Let me know, seriously.

Notice a trend here? Obviously, people are more concerned about the way they look than about the way their mind and their language work.

Oh, but they should be concerned, especially writers. Why? Because every time writers write, they use grammar to express their thoughts. Good grammar usage equals clear thoughts. Bad grammar usage equals muddled thoughts.

Now, which would you rather read, the clear thoughts of a writer or her muddled thoughts? 

I ask you, “How is your grammar fitness?” Find out by taking this short quiz. You may have more than one correct answer, so be careful. The answers are at the end of the quiz.

1.   Give the four principal parts of the verb “to drag.”

2.   Which sentence shows correct subject-verb agreement?

a.   Mrs. Simmons or her twelve children likes to play loud music at night.

b.   Mrs. Simmons or her twelve children like to play loud music at night.

 3.   Which sentence shows correct subject-verb agreement?

a.   My classmates and I, along with my teacher, goes to Chicago on a class trip in May.

b.   My classmates and I, along with my teacher, go to Chicago on a class trip in May.

 4.   Which sentence shows correct subject-verb agreement?

a.   The child hugging her stuffed animals are my niece.

b.   The child hugging her stuffed animals is my niece.

 5.   Which sentence shows correct pronoun-antecedent agreement?

a.   Everyone should listen to their own heart.

b.   Everyone should listen to his own heart.

 6.   Which sentence shows correct pronoun-antecedent agreement?

a.   All of the pie was gone in about five minutes.

b.   All of the pies were gone in about five minutes. 

 7.   Which sentence shows correct comparison?

a.   There is no woman quite like my aunt.

b.   There is no other woman quite like my aunt.

8.   Which sentence shows correct comparison?

a.   Harry likes Allison much better than he likes Bethany.

b.   Harry likes Allison much better than Bethany does.

c.   Harry likes Allison much better than Bethany.

9.   Fill in the blank with the correct preposition.

a.   We tried ___ stop the car.

b.   He never argues ___ his wife.

c.   I am grateful ___ you __ your assistance.

d.   Pat applied ___ admission ___ the university.

e.   Scuba diving is different ___ snorkeling.

f.    She dropped the expensive vase ___ accident.

g.   I have developed feelings ___ Helen.

Answers are right here.

1.       Give the four principal parts of the verb “to drag.”

Present: drag

Present participle: dragging

Past: dragged

Past participle: dragged

 2.   Which sentence shows correct subject-verb agreement?

b.  Mrs. Simmons or her twelve children like to play loud music at night.

3.   Which sentence shows correct subject-verb agreement?

b.  My classmates and I, along with my teacher, go to Chicago on a class trip in May.

4.   Which sentence shows correct subject-verb agreement?

b.  The child hugging her stuffed animals is my niece.

5.   Which sentence shows correct pronoun-antecedent agreement?

b.  Everyone should listen to his own heart.   Okay, I’m a purist!

6.   Which sentence show correct pronoun-antecedent agreement?  Both are correct.

a.  All of the pie was gone in about five minutes.

b.  All of the pies were gone in about five minutes. 

7.   Which sentence shows correct comparison?

a.  There is no other woman quite like my aunt.

8.   Which sentence shows correct comparison?  A and B are correct.

a.  Harry likes Allison much better than he likes Bethany.

b.  Harry likes Allison much better than Bethany does.

9.   Fill in the blank with the correct preposition.

a.  We tried ___ stop the car.  TO

b.  He never argues ___ his wife.  WITH

c.  I am grateful ___ you __ your assistance.  TO   FOR

d.  Pat applied ___ admission ___ the university. FOR   TO

e.  Scuba diving is different ___ snorkeling.  FROM

f.  She dropped the expensive vase ___ accident.  BY

g.  I have developed feelings ___ Helen.  FOR

 
So, how did you do? If you think you need improvement, or just a grammar refresher, I’d love to see you in class!

 

MM Pollard,

Editor, Black Velvet Seductions

 
It’s Alina, back again. Registration is now open for MM’s upcoming workshop, Grammar that Matters, which begins June 16th. 
 
Click here for more information and to register for this month-long workshop.
 
Alina K. Field
Online Class Coordinator

 

 

 
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What changes, you or it?

May 24, 2014 by in category Archives

How do you fall in love?  What is it based on? How can you change how you feel? a friend was asking as she was seeing someone who seemed to be more attracted to her than she was to him.  Yet she liked him, enjoyed him, and wished she could reciprocate.

Except it’s not an intellectual exercise is it?  There’s a reason that traditionally Cupid is blind.  Logic and reason often don’t have much to do with feelings.

And our feelings can change.  We have fallen in love with people we’ve known for years.  We have fallen out of love with people we have loved for years.  Though—on consideration—falling out of love seems to have a lot more intellectual and factual aspects to it than falling in love!

It’s pretty hard to describe what exactly is the change that suddenly transformed ‘someone’ into something beloved. Sometimes there’s an action, a look, an understanding, but it’s pretty ineffable.

Trying to understand the hows and whys that cause us to fall in love with a person seems too complex and big a challenge to wrap our arms around.  So let’s consider smaller things.

Can you remember an instance where your attitude changed? Some occurrence that switched your opinion, changed your mind, opened a door, gave you a new perspective, readjusted your thinking, caused you to reframe your perception and realign your judgement?

No?  OK, here’s one from my files.

Some of you may remember the early days of Clint Eastwood films (directed by Sergio Leone, A Fistful Of DollarsFor A Few Dollars More, etc.).  I would declaim to anyone that would listen how unbelievably boring and stupid the films were!  They just consisted of Clint Eastwood…

1) Walking onto the screen
2) Obliterating everyone
3) Walking off the screen

4) Walking onto a new screen
5) Obliterating everyone
6) Walking off the screen

etc……

Many would agree.  But what stuck in my mind was the one person who looked at me and said, slightly sorrowfully, as if speaking to a somewhat retarded person:

“But…that’s the point.”

Well, the scales fell from my eyes and I was able to utterly reassess my conclusions, realign my expectations and realize—and appreciate—the poetry in motion that this metaphoric Western ballet depicted. Indeed, all Westerns celebrated.  Reader, I loved them. Yes, all of them.

Example two, further illustrating my point on how much things—feelings, beliefs, opinions—depend on how you are looking, not actually what you are looking at.  So when people say (with a myriad of quotes) ‘you can only change yourself,’ know that you probably change yourself constantly, often easily, and that it has the power to instantly open new worlds.

I remember first moving to NYC and asking, “What is an egg cream?” and always getting the answer, “It’s an ice cream soda, without the ice cream.”

Are you with me here?  Huh?  Why would anyone ever want an ice-creamless ice cream soda?  I mean, Hello? WTFP? (What’s The F**king Point?).  Given that the point of having an ice cream soda is, in fact, THE ICE-CREAM.  That’s why it’s the lead!

I wandered through Manhattan really feeling pretty sad about New York and their delight in creating and ordering an ice cream soda…hold the ice cream.  Indeed, I—I admit it—would occasionally indulge in a little rant about the cosmic stupidity of the concept.

Until finally someone said—slightly sorrowfully, as if speaking to a developmentally disabled person: “It’s not an ice cream soda without the ice cream.  It’s an enhanced Cokeâ„¢.”

The scales fell from my eyes and I was able to reassess my conclusions, realign my expectations and realize—and appreciate—the nectar of the gods this delightful fizzy fresh and thirst quenching ambrosia offered. Reader, I loved them.

And consider all these challenges to reread books you’ve read in the past—Practical Classics and others I can’t immediately locate with search, or numerous articles over the years all illustrate how you, not “it” changes, and how amazing that is, because the world we see changes as we do, endlessly new, never entirely known.

Think about it….

Isabel Swift

“Why do you go away? So that you can come back. So that you can see the place you came from with new eyes and extra colors. And the people there see you differently, too. Coming back to where you started is not the same as never leaving.” â€• Terry PratchettA Hat Full of Sky   (but of course time changes you, even if you never leave)


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Celebrating Indies with Their Own Magazine: InD’Tale

May 15, 2014 by in category Archives tagged as , ,
InD’Tale’s TJ MacKay & me
Recently, I met T.J. MacKay, the brilliant, savvy blonde and very vivacious lady behind the new on-line magazine, InD’Tale. The magazine is for readers and indie authors, blending industry information with behind-the-scenes looks at the writing life. Her passion for those folks who forge the road less traveled with their literary vision and are now paving it with their talent, is unparalleled.  Her emphasis on romance is just the tip of the iceberg. For Mothers Day, here is an interview with a lady who just gave birth to a magazine every author should read.
Rebecca: InD’Tale is a great play on words. Why the focus on Indie Authors?
T.J.: When Indie was just starting to boom, there was no really credible platform in the industry for all the talented authors.  I wanted to provide the singular place where they could learn some of the tricks of the trade and be celebrated through interviews and reviews.
Rebecca:  To follow up on the word play, is there such a thing as an Indie Reader?
T.J.: Almost everyone could be considered an “Indie Readers.”  I don’t think readers give a hoot whether a book has a publishers stamp on it or not – they just want a really good, well-crafted story.
Rebecca: Tell me about two articles in upcoming issues – one for authors and one for readers.
T.J.: Mark Coker of Smashwords.com – one of the first to celebrate indie authors – just signed on to be a re-occurring contributor. He has an article on the way in June.  We are finishing up a great three part series on screenwriting by one of Hollywood’s newest talents.  For readers (as well as authors) we have a behind the scenes look at an industry photo shoot that takes us step by step through the process of creating amazing book covers We do an in-depth feature interview on a favorite best selling author each month. This is done in a personal, conversational style so readers can really get to know the author … oh goodness, I could go on and on! 
Rebecca: You specifically talk to USA Today and NYT bestsellers for your in-depth interviews. Why?
T.J.: The feature interview is a 7 – 8 page layout, so the highlighted author needs to have the experience and credentials to be able to help teach those who are working to achieve that same level of success.
Rebecca: Do you know the requirements for an indie author to hit those lists so we can try really hard?
T.J.: The NY Times requires sales in multiple venues, which – when traditional was the only way to go – seemed fair and reasonable.  Now that Indie is such a huge portion of the industry, however, it’s become quite a conundrum for them.  Indie authors are making money but it is from one or two distributors (almost always Amazon) which doesn’t qualify them.  I asked the Vice-President of Amazon about it and he said, “Until we can convince New York to change their policy, authors may be faced with a choice: get rich or get on the list.”  I think this will eventually change.
Rebecca: How do you choose the books you’ll review?
T.J.:  As of right now, we review all books that are submitted and qualify. You can see our guidelines on the website. We review between 80 – 100 books a month and are working two months out right now.
Rebecca: Who are your reviewers?
T.J.: Currently, we have 24 reviewers.  All have professional credentials and are strictly screened and trained.  Professional reviews require a reviewer to set aside their personal views and look at a book from a strictly objective point of view. We have very specific guidelines that must be adhered to in order to maintain consistency and credibility. I also randomly read some of the books that are being reviewed to make sure that standard stays consistent.
Rebecca: Your emphasis is romance. Will you review other genres? 
T.J.: Actually our emphasis is NOT just on romance. We review almost all genres and require only that there be a romantic thread within the story. 
Rebecca: Are you or have you ever been an author? You are pretty darn passionate about books.
T.J.: Actually, I’m just pretty darn passionate about people and books! I doubt I’ll ever write a book. I was a journalist and my passion is in helping incredible authors become successful. I’m also an avid reader.  I read an average of 5 to 6 books a week just to keep up!
Rebecca: What else do we need to know abut the TJ MacKay brand and the way you want to bring readers and authors together?
TJ: The most important thing to know about me is how deeply and sincerely I want to help talented authors find success and readers find the books that will spark their love of reading.  It truly is a passion. Only those who have felt that drive to write, no matter what it is they write, can honestly understand how deeply that desire can run. Every single thing we do at InD’tale is for that one purpose.

Find T.J. at:  http://www.indtale.com
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Late Because of Malice

May 7, 2014 by in category Archives

My apologies for posting this late, but I just returned from Malice Domestic, a conference for cozy mystery writers and readers.  And then I got to stop in Chicago on the way home to visit family, including my little grandsons! 

I really enjoyed the conference–and I’m certainly also looking forward to my next one, which will be RWA National in July in San Antonio. 

Plus, I’m looking forward to the OCC meeting this Saturday.  I missed the last one and because of a family commitment could wind up being late this time, but I’m hoping at least to get there.  Hope to see you there as well!
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Show and Tell, OCCRWA’s May Online Class with Shannon Donnelly

April 27, 2014 by in category Archives tagged as , ,

Shannon Donnelly is with us today to talk about her upcoming OCCRWA online class, Show and Tell, an Interactive Workshop. Take it away, Shannon!

Thanks Alina. We’ve all heard “show, don’t tell” and there is value in that advice. If all you do is tell a story, how does the reader participate with his or her imagination? However, a book is not a movie. While a movie requires everything to be shown (or an often awkward voice-over to be added if it’s not showing enough), a book has the luxury of being able to use narrative. And that’s where I usually get folks who are utterly confused.

Narrative seems to have gone out of fashion. It doesn’t seem to be taught, and no one seems to really get what it is. So let’s make it easy.

Merriam-Webster gives us the root for narrative/narrating as the “Latin narratus,past participle of narrare, from Latin gnarus knowing; akin to Latin gnoscere, noscere to know.”

This means it’s basically the author telling the reader the information the author knows, which the reader also needs to know. And now, you ask, what does the reader need to know, and when does the reader need it, and how much does the reader need. This is where narrative becomes an art.

This means any writer of fiction needs not only showing but telling as well. What’s the secret in knowing when to show and when to tell? This is something I’ll be covering in the May workshop, but here are a few tips:

WHAT TO TELL:

– Where are we? (Place and world – the reader needs to be placed into the scene, otherwise it’s confusing to the reader. Do not throw your readers into the deep end without giving them some help.)

– When are we? (What’s the era, the time of the year, the month, the day, the hour? We need everything that helps the reader settle into the scene as if this moment in time really exists.)

– Who is here?(An introduction to the characters, particularly to the main characters for that scene, and for the story.)

– Why are we were? (This doesn’t have to be greatly detailed information, but you need enough details to make a reader care. Think of it this way—too little and you starve the reader’s imagination; too much and the reader quickly fills up and drops the book down.)

All this needs to be woven together, stitched in with careful threads, not dumped on the reader in big clumps. Or, to put it another way, feed the reader your telling—your narrative—with a teaspoon, not a soup bowl.

WHAT TO SHOW:

– Your characters in action—scenes are always stronger when you show a character expressing emotion with physical reactions.

– The world through a character’s senses—we all lean too much on sights and showing what a character sees, but go beyond this to show smells, tastes, touches, and sounds. Use all a character’s senses to not only make the world more vivid for the reader but to also show what your character notices.

– Your character’s emotions through words. Dialogue should never just be there to advance the plot or you end up with a character that seems stiff on the page. Just as you want to show emotions through actions, you also want to show emotion through words—this includes what someone avoids talking about, too.

Showing and telling do not have to be absolutes; mix show, use more show than tell, or use more tell than show; part of the choice is your style, and part is the effect you want to have on the reader.
 
Alina again here.
Thanks Shannon for giving us a taste of your upcoming lessons. This four-week class starts May 12, 2014 and registration is now open here.   
About Shannon Donnelly:
Shannon Donnelly’s writing has won numerous awards, including a RITA nomination for Best Regency, the Grand Prize in the “Minute Maid Sensational Romance Writer” contest, judged by Nora Roberts, RWA’s Golden Heart, and others. Her writing has repeatedly earned 4½ Star Top Pick reviews from Romantic Times magazine, as well as praise from Booklist and other reviewers, who note: “simply superb”…”wonderfully uplifting”….and “beautifully written.”

Her Regency Historical Romance, Paths of Desire, can be found as an ebooks on Kindle, Nook and at Smashwords, along with her Regency romances.

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