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Some sweeping generalizations and celebrating stereotypes:

August 24, 2015 by in category Archives

Copy line on movie ad (no, I can’t remember the title) with armed woman: Wife. Mother. Hero.

Why is a women defined by her relation to others? Would any man be described as Husband. Father. Hero.? I don’t think so. More like: Explorer. Visionary. Hero.

It’s all about what he does, who he is. Hers is about who she is connected to. That’s why women traditionally have an honorific that links them to their male partner: Mrs. Or lack of partner: Miss. Vs men, who are just Mr. Their status as a partner is deemed irrelevant.

For instance: a man does not need to be reminded to put his oxygen mask on first. His default is to think of himself first, others later. And he expects others to think the same way—to first take care of themselves, then perhaps consider others. That may be why he doesn’t thank you (you female person) for your selfless act. He thinks you’re crazy. Or stupid. Or both. Or maybe just trying to ingratiate yourself with him, as he tends to think hierarchically, so sees favors in a transactional manner. Not that a man isn’t capable of a selfless act, it’s just an unlikely part of his daily routine.

Women often think of others first, themselves last. For many that’s their default (yes, even if they’re not mothers). And they expect others to think the same way. And of course they (female people) take it personally (perhaps with a long-suffering sigh) when they discover there’s no parity, and they’re not very high on anyone else’s list. Perhaps even more irritatingly, they may be thought of as being an idiot for taking care of others and not bothering to take care of themselves.

Each sex is ‘modeling’ behavior that the other guy just isn’t picking up. Neither is exactly right, but not entirely wrong, either. And it doesn’t align.

Men tend to see things hierarchically, competitively, with winners and losers, while women tend to be more collegial and consensus driven, focusing on making something work. (Hey, my title promised “Some sweeping generalizations and celebrating stereotypes,” don’t say I don’t deliver!). Deborah Tannen’s Talking 9 to 5 offers some great stories of how these different basic assumptions can create miscommunication, misunderstanding and problems.

In many cultures, women traditionally have had little to no direct power and have had to work with indirect power: influence, relationships, connections, being liked, finding people to partner with. For a woman, helping others, doing favors, etc. is often a way of establishing friendship and usually inspires thanks, gratitude and likely a return favor in response—if the recipient is a woman.

But if the recipient is man, he may well see the gift as an effort to curry favor, confirming his status as the superior: the one to whom gifts and honor are due. Thanks are not necessary and no return gift would ever be given, as that would mean Giver and Givee were on the same level, which is not an acceptable idea when a hierarchy has just been established to Givee’s satisfaction!

Women may view support as a circular, mutually beneficial experience. For men, it is likely more linear, a bottom up effort to propitiate and curry favor of the leaders—who may then have an obligation to protect their underlings. Like a feudal lord getting his due from his dependents, he will have to try to stave off the barbarian hordes if they show up, or build a walled city to protect them, but he’s not partners with his serfs.

You can see how misunderstandings and disappointments might abound!

And why romance writers and romance readers are a necessary ingredient in our lives….

Isabel Swift

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The Power of Emotion by Connie Vines

August 13, 2015 by in category Archives tagged as , , , , , , ,
e·mo·tion
əˈmōSH(ə)n/
noun
1.    a natural instinctive state of mind deriving from one’s circumstances, mood, or relationships with others.
“she was attempting to control her emotions”
synonyms:
·         instinctive or intuitive feeling as distinguished from reasoning or knowledge.
“responses have to be based on historical insight, not simply on emotion”
synonyms:
instinctintuition, gut feeling
Raw.  Naked.  Emotions.  As an author of romance/ romantic suspense novels, emotion is essential to my story line.  However, as a human being experiencing strong emotions can be overwhelming.  Moreover, often, in the case of fear and sorrow, very unwelcome.
The concept of (raw flesh) exposed from an extensive wound, exquisitely sensitive to the lightest touch, reminds me of my vulnerability and mortality.  
Naked emotion.
How do you deal with emotions in your story lines?
Do you color your story in pastels?  Bold charcoal strokes?  Or, perhaps bright slaps of color? 
Or do you favor dark, deep Gothic hues?
In my opinion, all successful/popular novels, no matter what genre, have one key element: emotion.  Emotion lies at the core of every character’s decision, action, reaction, and motivation.  All of which drive the story. A character’s personal journey does not exist without emotion—it would be pointless. The plot would be made up meaningless events that a reader would not invest any time to read.  Why?  Because above all else, the readers choose a novel to have an emotional experience.  Be it a wild roller coaster ride of pure terror in a horror novel; reliving the sweet courting experience of an inspirational romance; discovering a new unexplored, heart-pounding world of a sci-fi; the pleasure of solving a who-done-it; or, pure laughter and fun in a read-it-at one setting comedy—readers want to connect with your characters.  With this connection to characters, who provide entertainment and whose trials and experiences may, in turn, add meaning to their own life journeys.
We are emotional beings.  Feelings propel us. Drive us.  Define us. Moreover, while it may seem that most of those exchanges happen during conversation, studies show that 93% of all communication is nonverbal.  Even in instances where we try not to show our feelings, we are still telegraphing messages through body language.  Because of the, each of us is adept at reading others without a word being uttered.
                Readers have high expectations.  Long done are the long intros: “There was no possibility of taking a walk that day.  We had been wander, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so somber, and a rain so penetrating”.  . . I am certain you recognize the first sentences of my favorite classic novel, Jane Eyre by Charlotte Bronte.  A delightful read, rich in detail and thick with emotion—but not a read easily consumed during a pause in a workday, or after getting toddlers off to bed.  Readers no longer wish to be told how a character feels; they want to experience the emotion for themselves.
                This leaves the writer with the challenge of ensuring that our characters express their emotions in ways that are both recognizable and compelling to read.  Personally, I find that less is more.  I am always aware of the pacing of my story.  Too many clues to describe a character’s feelings can dilute the reader’s emotion experience.  Backstory is only pepper in to allude to a ‘trigger’ emotion.  Example:  Marty, in the BACK TO THE FUTURE series of movies.  A cliché, but calling Marty ‘chicken’ worked every time—the viewer knew and expected ‘something’ to happen. Not that I have ever, I hope, have resorted to a cliché, but my characters have a ‘fatal flaw’.  I cannot divulge any that I have used because it would ruin the story lines.  Nevertheless, we all have our ‘trigger’ emotion.  If you have siblings, undoubtedly, you were tormented with it on numerous occasionally.  Our ‘characters’ may or may not recognize a personal trigger emotion.  This is writer’s preference in relationship to plot and character development.
                One emotion that I find fun to watch (in young children) and it easy to work into a YA story is amazement.  To a toddler everything is new and amazing.  The child’s eyes widen.  The child becomes suddenly still.  May suck in a quick breath/hand covering one’s mouth. Stiffening posture.  Rapid blinking followed by open staring.  Reaching out and touching or taking a step back. I am certain you could add to the list my recalling your personal experiences or observations.
                Now how would that young child feel, internally?  A heart would seem to freeze, the pound. Tingling skin. Adrenaline spikes. The mental reaction in the amazed person could be disorientation, momentarily forgetting all else, or wishing to share the experience with others.  Now say your character is a shy or too cool to give anything away.  How could this emotion be suppressed? Self-hugging, jerky, self-contained strides, Eyes widening a bit before control is asserted, mouth snapping shut.  The clues are always apparent. 
                I like to get to know my characters, savor my scenes, and always dig deeper for the right word. The right motivation.
                I enjoy the journey to discover my characters, their hopes and wishes.  I feel blessed to tell each one of their stories.  And I hope that my novels, in turn, bring hours of enjoyment into each of my readers’ lives.
                In closing, I would like to share a bit of my past.
                When my first YA sweet historical novel was published, I was honored at a Red Nations Powwow.  A tribal elder, Jacques Condor, told me I was being honored as a Storyteller.  He reminded me, always, to be humble, because it is the Story who chooses the Storyteller to bring it Life. 

                My Mandela hangs my living room wall, and my hand-tooled silver ring is worn to remind me of both my gift, and my duty.
                Thank you for taking the time to read my first post to OCC/RWA’s A Slice of Orange
Blog.  

Please stop by next month.  

              
                Connie Vines

Fall Release: BWL, Ltd.
Novella,
BWL, Ltd., current release

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Cinderella’s got new glass slippers: My Kindle Scout Experience Part 4 by Jina Bacarr

August 11, 2015 by in category Writing tagged as , , , , , , , , , , , ,

(You can read my previous posts about my experience with the Kindle Scout program by clicking on Part 1 , Part 2 and Part 3.)
 
Glass slippers don’t last forever…

But Kindle e-Books do.

So when Cindy discovered her treasured glass slippers had a crack in them…ow! It was time to get a new pair.

And that’s what’s been happening in publishing. It’s time to embrace new and different ways of getting our books to readers. That’s where the Kindle Scout program fills the gap. As I’ve discussed in previous posts, it’s been an amazing journey for me since I started my campaign with LOVE ME FOREVER, my Civil War time travel romance.

Last week I danced in my slippers when LOVE ME FOREVER went on sale.

Amazon sent me an email with the screenshots, showing LOVE ME FOREVER PR. My book was in the first slot on page one.

I’ve been blogging, too. Check out my posts on www.jinabacarr.wordpress.com  

Facebook Launch Party

 The Kindle Scout Authors did a 3-hour Facebook party. It was amazing…you can read all the comments and see what happened here: https://www.facebook.com/events/1755873821306210 

Time travel is my favorite genre, so I was thrilled to hit the Kindle e–Books>Romance>Time Travel Top 100 list several times. Here’s a graphic I made:

But most gratifying to me are the reviews:

“This is one of the best time travel historical novels I have ever read. I was hooked from page one. The descriptive scenes of the Civil War battles are so realistic that you find yourself imagining you are actually on the battlefield. I highly recommend this book.”

“Gripped me from the first page and wouldn’t let go until I finished the book HOURS later.”

“Rich in history and social issues, Love Me Forever is both deep and emotionally compelling. Another fine read from a Kindle Scout winner.”

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What’s next for me? I’m writing the sequel to LOVE ME FOREVER, “Love Me Always,”  where we meet up with the offspring of the one of the heroines and send her off on her own time traveling adventure!

Thanks for coming along with me on my journey.

~Jina

Website: www.jinabacarr.com
Blog: www.jinabacarr.wordpress.com
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Character, personality, empathy, story

July 24, 2015 by in category Archives

How do you create compelling, distinct characters, convey personality, create a sense of empathy, and tell a story…with a limited number of words?
While I can’t answer that question, I know it when I see it, feel it, and thought you might enjoy this lovely example.  

We not only get to know the four friends, but the narrator as well….


The Four Friends

Ernest was an elephant, a great big fellow,
Leonard was a lion with a six foot tail,
George was a goat, and his beard was yellow,
And James was a very small snail. 

Leonard had a stall, and a great big strong one,
Earnest had a manger, and its walls were thick,
George found a pen, but I think it was the wrong one,
And James sat down on a brick 

Earnest started trumpeting, and cracked his manger,
Leonard started roaring, and shivered his stall,
James gave a huffle of a snail in danger
And nobody heard him at all. 

Earnest started trumpeting and raised such a rumpus,
Leonard started roaring and trying to kick,
James went on a journey with the goats new compass
And he reached the end of his brick. 

Ernest was an elephant and very well intentioned,
Leonard was a lion with a brave new tail,
George was a goat, as I think I have mentioned,
but James was only a snail.

                                      A. A. Milne (1882-1956)

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In My Day…

June 24, 2015 by in category Archives tagged as , ,

I was looking for a pair of normal jeans and not having much luck.  So I went into the giant Levi shop (All Levis All The Time) filled with hope!  Surely Levi would be able to deliver a pair of regular jeans.

Think again.

Fabric dark, cheap feeling, and like ever other jean product available on the market “stylishly” torn, big holes at knees or strange white blobs of wear on the legs in places that would never, naturally, get worn.

Or multiple peculiar holes all over, as if they’d been left hanging in some automatic weapons firing range and had been peppered good. Or both…

I look at the young clerk and confessed: “You know, I just feel it is my job to wear out my own jeans.  It doesn’t seem right to have it contracted out to some machine or child laborer.”

He nodded sympathetically. (The customer is always right).

Yes, in my day we had active lives.  We did stuff.  We wore holes in our jeans without any outside help. Yep, not even from our disinterested non-helicopter parents.

Our jeans were authentic.  Artisanal.  Indeed the work was just about as local as you could get.

When you look at the language being used now to market and enhance our present possessions, foods and lifestyle, beneath the words, you can hear this wild, inchoate cry against the virtualness of much of our present existence: instant, effortless, convenient.  But somehow insubstantial, unsatisfying.

Unearned.

Isabel Swift

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