by Jina Bacarr
I’ve been writing about Lady Eve Marlowe’s adventures in 1928 Weimar Berlin in my Berlin Sex Diary blog. For Lady Marlowe, it was as if those days came alive again. She was kind enough to assist me in making a book trailer (â€You mean like the film trailers? I’d be delighted…) about her adventures in “Cleopatra’s Perfume†during World War II in London, Cairo and Berlin.
We shot the video and picked out a charming piece of music called “Paris†by Dan Graham. When we looked at the final cut, Lady Eve turned to me and said, “It’s lovely, Jina, but so many great films during the Second World War were shot in black and white.â€
“You mean like Casablanca?†I asked, remembering the dramatic lighting and emotional tension so beautifully filmed by Michael Curtiz.
Lady Eve nodded. “What if we produced two videos–one in color and one in black and white?â€
And that’s what we did. Here are two versions of the book trailer for Cleopatra’s Perfume: one in color:
And one in black and white:
Which do you prefer?
Best,
Jina
Follow me on Twitter: www.twitter.com/jinabacarr
Jina Bacarr is also the author of The Blonde Geisha , Naughty Paris, Tokyo Rendezvous, a Spice Brief, and Spies, Lies & Naked Thighs, featuring an Indiana Jones in high heels.
2 0 Read moreLand of the Lost, the movie, not the TV show I used to watch way back when, opened on the weekend and reportedly bombed. In fact, it’s been called “the first bomb of summer.” Ouch. I’m partly to blame, I guess, as I didn’t go. But it’s on my list of “possibles” so if you saw it, let me know what you think.
However, if it’s any comfort to Will Ferrell, he did benefit financially from me over the weekend, because I rented the DVD of Stranger Than Fiction, a movie he did a couple of years ago with Emma Thompson. He must have made at least a penny in royalties off my rental fee…
Ferrell plays Harold Crick, an IRS agent who starts to hear a voice narrating every action in his tedious life. Turns out he’s a character in a book being written by reclusive author Karen Eiffel (Thompson), though his figuring that out takes up a large part of the movie (the audience is clued in from the start). Bad news for Crick, he’s doomed to die at the end of the book, when he realizes that, it becomes a race against time to save his life just as it starts to get interesting.
I really enjoyed this movie, it was so different and quite unpredictable. And quite unexpected to see Ferrell as a romantic hero (in an unlikely romance with a baker played by the very cute Maggie Gyllenhaal), especially if you’re more used to his Talladega Nights-style of character. I must admit, Ferrell’s not the man I have in my head when I’m writing one of the romantic heroes in my books, but maybe I could rethink that…
Dustin Hoffman played a big part in the movie, too, and of course, he was recently paired up with Thompson in Last Chance Harvey, another movie I really enjoyed. I wonder if acting in Stranger Than Fiction together was what sparked their pairing in Last Chance Harvey?
So, did you see Land of the Lost? Love it, hate it? Got any other Will Ferrell recommendations?
Abby
www.abbygaines.com
General Meetings are held the second Saturday of the month at the Brea Community Center, 695 E. Madison Way, Brea, CA 92821. For a map and directions, click here.
Meeting fees are $10 for Members and $20 for Non-Members.
Meeting Schedule for June 13, 2009
Volunteer Ask an Author/s for June:
Susan Squires and Jennifer Haymore
Attention: OCC Members Attending the Meeting–Monthly Critique Drawings! Volunteer Critique Author for June: Patricia Wright (w/a Patricia Thayer)
Important 2009 Dates to Remember:
For current Online Class Schedule and registration information, please visit http://www.occrwa.org/onlineclasses.html.
For more chapter meeting information visit OCC’s website at http://occrwa.org/meetings.htm
“During a drought, the morning pages seem both painful and foolish. They feel like empty gestures — like making breakfast for the lover we know is leaving us anyhow. Hoping against hope that we will someday be creative again, we go through the motions. Our consciousness is parched. We cannot feel so much as a trickle of grace. . . . And yet we write our Morning Pages because we must.” – Julia Cameron, THE ARTIST’S WAY.
It is closing in on midnight. My blog entry here at A Slice of Orange is due to go up in a few minutes. But instead of writing it, I spent the evening at my mother’s bedside, trying to help her comprehend what is going on while her muddled mind repeats the same questions over and over. You see, she thinks she is dying. Maybe she is. My brother and sister-in-law are convinced she is. Though the caregivers and doctors disagree. However, I do believe that a person can will themselves to die . . . or to live.
My eyes are burning. My brain is throbbing. But I can’t stop thinking about my commitment to write this blog. To tell you the truth, it’s the only thing keeping me connected to my writing at this time. I haven’t even been able to keep up with my own Morning Pages. And yet I write my blog because I must.
Is that too much honesty? Shouldn’t I be burning the midnight oil to finish my proposal promised months ago to an agent? I know a writer who came home at 2 A.M. from the ER (after her mother was finally admitted), and sat down to write her daily ten pages. I thought, “Is she insane?” I admire her dedication. But she probably welcomed the chance to escape into her writing and forget about her real world for a while.
Okay-okay, so I AM burning the midnight oil to finish this blog. As much as I would love to escape reality and write a few chapters of fiction, my brain cells are begging for some snooze-time. Though I must admit that, lately, my sleep has been disrupted by the most bizarre and disjointed dreams. I suppose all that unexpressed creativity has to find a release somehow.
I opened this entry with a quote from Julia Cameron about going through a drought. Is this a drought? Not exactly. But I am trying to keep my writing alive, and that’s what is important. Some writers might disagree and consider me a slacker. That’s okay. I’m the tortoise, not the hare.
Oh, one last thing — Check out Dr. Bruce H. Lipton‘s, THE BIOLOGY OF BELIEF: The Science of How We Create Our Lives. I heard his lecture a year ago at a conference. He’s amazing. We really ARE what we believe.
And now I believe I am very tired and I’m going to bed. ‘Nite all!
– Gillian Doyle
http://www.gilliandoyle.blogspot.com/
http://www.gilliandoyle.com/
This Memorial Day weekend should have been very relaxing for me. I was off from my day job, and I could spend the day writing if I wanted to. So that’s what I tried to do. However, instead of popping out ten or twenty pages today, I found myself practicing Writing Avoidance.
It wasn’t a severe case of Writing Avoidance. No, the symptoms of that are the sudden need to clean out the refrigerator, basement or attic. I was only suffering from stationary Writing Avoidance, where I remained in my desk chair but found myself doing things other than writing.
For example, I would write a sentence or two, then check my email. Then come back and write a couple more sentences, then check my Twitter. Write a couple more sentences and start surfing the web for American Idol interviews. Change a couple of sentences, then realize there is a Bones marathon on, so maybe I should check out a couple of episodes (even though I own all of them on DVD).
This, dear readers, is Writing Avoidance.
I knew something was bugging me today, but I couldn’t put my finger on it. And because I couldn’t put my finger on it, the doubts crept in. I am on deadline with a book. Will I finish it in time? The editor recently read my first few chapters to better design the cover copy, and it was a nail-biter while she was reading it. But she gave me the okay to keep going. I should be over the moon, right? But the doubts had already sunk their claws deep into my psyche.
The market is tight. What if they don’t like the book?
What if they want me to rewrite the book?
I can’t seem to get those first chapters right. Why is that? Is the magic gone?
This book seems harder to write than all the others. Maybe I’m losing my touch.
Does any of this sound familiar?
Writing Avoidance or not, I needed to get pages written today. My deadline looms before me, and I pride myself on turning in my manuscripts on time. But how to get past this funk? How to convince my muse to stop sulking and get to work?
The best cure for this is to call another writer.
So I did just that, called my friend Susan Meier, who talked me off the ledge and reminded me of all the important answers to those questions.
The market is tight. What if they don’t like the book?
The editor already read it. She likes what you’re doing. Next question.
What if they want me to rewrite the book?
See #1. Also remind yourself that this is your twelfth book for them, and your last book required minimum revisions.
I can’t seem to get those first chapters right. Why is that? Is the magic gone?
This is your process. You do this with every book. You hammer at those first chapters, looking for the story, and then when you find it…ZOOM! The book spills onto the page at warp speed.
This book seems harder to write than all the others. Maybe I’m losing my touch.
Every book is harder than the last because you grow as an author with each one. If it were easy, everyone would do it. You’re not losing your touch; you’re just experiencing growing pains.
Only another writer could understand the frustration of Writing Avoidance, especially one who is familiar with your patricular process. It’s not just that the work is not getting done; it’s also that there is something interfering with your creativity. However, once you understand what is bugging you (such as, say, tension from feeling overwhelmed), you can work through it and get on with business.
This is why writers need other writers. Sometimes there is no one else in the world who could possibly understand. And it’s amazing how ten minutes on the phone with another writer can do more to cure your Writing Avoidance than an hour talking to anyone else.
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