Last month I promised a report on my trip to New Orleans for EPICon2010. What I didn’t intend was to come home sick as the proverbial dog.
Janet Quinn Cornelow was my traveling partner, and our trip started well. We got to New Orleans on time after a quick change of planes in Nashville. The next morning we had a little time to shop and explore the French Quarter before being picked up for our Plantation Tour. We first visited magnificent Oak Alley, one of the most photographed plantations in the country, noted for the column of 300-year-old oak trees leading down to the river road. We had a very nice tour of the house which has been lovingly restored with furniture of the period. I can just imagine the grand house parties that took place here, but unfortunately bankrupted the owners. This is a photo taken from the rear of the house. Check out the Oak Alley website to see the oak trees.
Our second stop was at Laura Plantation, a Creole plantation. The tour here was different and very interesting. Apparently the Creoles had a different attitude toward inheritance. Instead of leaving the estate to the oldest son, they put the smartest child in charge, even if she happened to be a girl. As a result, Laura Plantation was run by women through several generations, the last being Laura Locoul Gore. The tour was fascinating, and I bought the book of Laura’s memoirs entitled Memories Of The Old Plantation Home & A Creole Family Album by Laura Locoul with commentary by Norman & Sand Marmillion. Laura’s life was long and interesting, but too involved to detail here. I was really glad we picked this particular tour. Here’s my photo of Laura’s plantation home.
Laura is less grand than Oak Alley, as it was more a working plantation than a showplace.
That’s all for now.
Linda / Lyndi
0 0 Read moreI’m very honored to be a Fresh Pick. According to the email I received–“The Fresh Pick is chosen by a group of readers…â€
Writing is a solitary profession, but I can tell you that as a writer, my characters make me laugh, angry at times (when they don’t do what you tell them) and cry.
I remember feeling the anguish of my heroine, Katie, when she feared she would never have a child.
“Yet I was aware that by keeping separate quarters from my husband, I had doomed myself to a life left unfulfilled. The reality of what they meant raked across my heart, grabbing me, my faith shaken, my mood saddened. Would I ever know the joy, the soft smells, the magic of motherhood? A dull ache settled in my empty womb, disheartened as I was by the thought of a life of barrenness.”
Or how much she missed her Irish-American family when she first arrived in Japan.
“A maudlin homesickness seeped through the layers of my silken kimono and made me yearn for the times when I was a girl back home in our white frame house surrounded by woods, Da and Mother and my little sister, Elva, gathered around the wood fire on cold nights, eating cream cakes and listening to my father tell tall stories about what it was like back in Ireland when he was a young man during the potato famine some thirty years ago.”
“Too stubborn to ask for help, my Irish pride and my bustle got the better of me when I sat down and slid off the cushion and onto the matting, my legs flying up into the air, my layers of petticoats and skirts covering my face. I was a sight to behold sprawled out on the floor, laughing, with poor Mr. Fawkes trying to pull me up without grabbing the wrong part of my anatomy.”
And how amazed she was to discover that the Empress of Japan was a charming young woman who shared her interest in fashion.
“…the Empress was openly curious about the rows and rows of lace trimming my flounces and petticoats. I was delighted when she suggested sponsoring a school to make the beautiful fabric. I knew she longed to have a red satin petticoat and white velvet gown set with off-the-shoulder cap sleeves and dotted with pearls like the one I’d brought with me from Paris.”
Then there was Shintaro.
“Yet the first man I took to my bed after my wedding night was not my husband—or yours—but one of the most mysterious, elusive and enigmatic men in all Japan. A samurai.“His name was Shintaro.â€
I’m thrilled that the readers at FreshFiction.com also enjoyed the adventures of Lady Carlton née Katie O’Roarke. Thank you!!
The Blonde Samurai“She embraced the way of the warrior. Two swords. Two loves.â€
We’ve all heard of those theme park rides based on movies – Harry Potter rides, Spiderman rides, etc—but a while back I read that the first Pirates of the Caribbean movie was actually inspired by the Disneyland ride of the same name. Yes, the ride I last traveled on as a twelve-year-old, which was, um, some time before the movie came out. It was the movie-to-theme park journey in reverse.
Wow, a whole movie inspired by a theme park ride! Which got me thinking, why not a whole novel inspired by a theme park ride? I guess Pirates of the Caribbean is kind of taken. But what about, say, It’s a Small World? If, say I wanted to bring new saccharin levels to the concept of “sweet†romance? Or for an action novel, I guess I could use Space Mountain or the Matterhorn as inspiration. I see there’s a new attraction called Sleeping Beauty’s Castle Walkthrough…now that sounds promising!
Or maybe I’ll just a book about a strange town populated by oversize, benevolent, cartoonish characters… But where’s the conflict, folks, where’s the conflict?
My current preoccupation with Disneyland isn’t solely because Up just won the Best Animated Feature Oscar. It’s because in a few weeks’ time we’re taking the kids to Disneyland (Anaheim) for the first time. I can’t wait to reacquaint myself with the place, and draw whatever inspiration I can from letting my imagination out to play!
If you have any favorite Disneyland experiences or tips, let me know!
I have some quotes hanging on the wall around my computer, and in times when I am lacking inspiration, I find these help me find the way back to the path.
“Everything comes to those who hustle while they wait.†– Thomas Edison
If anything sums up the business of publishing, that one is it for certain. Publishing is a business of hurry up and wait.
– Hurry up and get that proposal in on time, then wait for feedback from the agent/editor.
– Hurry up and get those revisions in on time, then wait for the check.
– Hurry up and get that manuscript in, then wait for it to be released as a finished book.
But what if, while you are waiting, you hustle to start a new book or send out another proposal or query a new agent? Then that wait time becomes productive time, and you have a better chance of achieving your goals.
“Only those that risk going too far can possibly find out how far one can go.†– T.S. Eliot
This one can easily be applied to the craft of writing. Someone once said that there are only about fifty plots in the world. How is it possible then that so many books are published every year? (Way more than 50!) Because each author brings the uniqueness of voice and character and a twist to the plot that can make the same basic story sound completely different from another person’s version of the same.
But how far is too far? How much risk should you take? That becomes a personal decision, based on where you are in your writing career. A very successful author might be able to take risks a newer author might not. But then again, these days it is very hard to break into publishing, so maybe your work has to be riskier than others in order to be noticed and sell? This is a good one to contemplate. Sometimes taking the risk could simply mean submitting the work at all. If you never submit, you never have the opportunity to be successful.
“Inspiration usually comes during work, rather than before it.†Madeline L’Engle
This is my favorite quote of all and probably the one that makes the most sense to every writer. Basically, if you are looking for inspiration, look to your own work and your own words and you will find it. Facing the blank screen isn’t easy. It never is. But just the process of putting words on the page gets your creative juices going, and the next thing you know the words are flowing like water from your fingertips.
Any time I am blocked or stuck I look up and see these quotes on my wall. They remind me that I am not the first writer to be going through this, nor will I be the last. I hope they help you as well.
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I am a fan of James Patterson and I like both his Alex Cross and The Women’s Murder Club series. I even like his flying children. I was happy when I got two Alex Cross books for Christmas.
I started the book, Alex Cross’s Trial. The book opened with a forward written by Alex Cross. That stopped me. I closed the book and looked at the front. Then I read the inside of the cover. Alex Cross had written this book about one of his ancestors in
If you hold the book and cover up James Patterson’s name at the top, the bottom looks just like a cover with Alex Cross as the author.
I find the concept of having a character write a book very interesting. Especially when the character is not writing a book about his own adventures. I have read other books where the character was a writer and wrote books, but those books were never published for the masses to read.
I’m not sure if an author could pull this off unless the character was someone like Alex Cross who is well known and has starred in several books of his own. However, it does seem like an interesting concept if you are writing a series and want to write a book that does not fit into the normal series. It would be away to do that. People would buy the book not realizing it is not the usual book about the character. I don’t have any characters that are well enough known to do something like this, but I am thinking of starting a dark, urban fantasy series. One of those characters may some day write a book.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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