I love the word default. It is so definitive. It is authoritative when you’re on the right side of it; terrifying if you’re on the wrong side. Default on your loan. Default the game. You have failed to live up to your promise. Over! Done! Fini— unless you do something to change the situation PDQ and get back on track.
Then came computers and the word default got a makeover. It’s softer. Helpful. Kind. The word became synonymous with a do-over. Default is now your safety net. Screwed up your settings? Default. Go back to the beginning. Get a do-over. It’s okay. We got your back.
Ah…
Well, don’t get too comfy with that default button, especially when you’re writing. I have a new book that I let lie fallow for two Covid-years because I took a creative hike, turning to manual hobbies like sewing and quilting, crafting and cooking. Now I’m back and making a sprint to complete the last 25%. I’m jazzed because it’s almost done. I proudly sent the first three quarters of the manuscript to my editor fully expecting the green light to cross the literary finish-line.
Sadly — and thankfully —her input was the exact opposite. I had dialed in my characters. I had been lazy with my red herrings. I had defaulted in the bad way, and not lived up to my promise to deliver my best work to my readers. On the other hand, she was offering me the chance to default in the kind way: reset, rethink, and rework. It was up to me to decide if I wanted to skate, shrug my shoulders, and publish a book that was ‘just okay’, or go back and make this the best book it can be.
I decided to go with option two. Reset. Rethink. Rework. That’s what author’s do. Thankfully, I have a great editor who is clear that how I define the word default — and how I respond to that definition— is up to me.
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