STARTING OVER
Last month, my agent gave me notes on my latest novel. I’d turned in what I thought was “the†book – it was funny, in a subgenre that was selling well, and most importantly, it was a story I loved with a passion. This was the book I thought would be my breakout work.
Instead, I’m going to have to do a page-one rewrite.
It’s embarrassing to admit, but the quick-to-be-emotional nature that helps me write romances brought a quick rush of tears at the news. I took a few deep breaths, washed my face and waited until the next day to think about it. I saw where my agent was coming from and agreed with her. But still, I was going to have to start over.
From the beginning.
My first thought was that I’d completely wasted a year of my life. My second was that if I’d known I would suck as a writer, I wouldn’t have spent last year in another country stuck in my tiny cockroach-infested apartment. I would’ve been out seeing the country!
My third thought went somewhere along the lines of “Get over it!†(I might not have been that nice though.)
My head agreed that the book would benefit from the changes. My heart wasn’t there yet.
It’s been a few weeks now and I’ve done a lot of brainstorming, taken pages and pages of new notes, and created a brand new (empty) file for the new version. A few days ago, I finally “got it.†The story is coming fast and furious now – and it’s so much better than the initial version that I don’t even know how to compare the two. And THAT is exciting!
Starting over is rarely easy – new book, new job, new home. But if you look for it, you’ll always be able to find something that makes you say, “It’s worth it.â€
Kitty Bucholtz writes romantic comedies because, well, she lives one! She wrote her first book in the NBC cafeteria, the second snowed in at a Reno hotel, and the third from a tiny apartment in Sydney. Even though she loves talking about, writing about, and teaching about writing, she’s pretty sure she knows at least three people who aren’t writers.
1 0 Read moreBecause in my 20’s, I had a real problem with asking for what I wanted.
I remember the very first query letter I wrote to Harlequin Silhouette. I was almost apologizing for wasting their time in asking them to consider my book. Admittedly, it wasn’t a great book but you think after all the nights and lunch hours I spent on that thing that I would’ve been a better advocate than that.
As time wore on, I wanted to be published so badly that it became my life purpose to sell Hot Tamara. Maybe I was tired of rejection, or just getting ornery as I approached my thirties. Whatever the case, I began thinking about why I should be published as opposed to why I shouldn’t. When I wrote that fateful query letter to Harper Collins, I shook my moneymaker, baby. I was damn proud of that story. Having reread the letter recently, there’s a chutzpah to it even though the book had already been rejected by ten agents.
The thing is, when you finally climb up into the realm of publishing, you have to keep on asking for what you want. You have to risk that someone will tell you no, which then requires that you do some fancy footwork to change their mind, or maneuver around them. Even though I consider myself to be moderately ballsy, I still squirm just a little bit when I ask my agent to do something on my behalf, or my readers to buy my next book.
When I hesitate, I remember that no one else will do it for me … unless of course, I ask them to.
Mary Castillo is the author of In Between Men and Hot Tamara. Her website is www.marycastillo.com.
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More info →A Slice of Orange is an affiliate with some of the booksellers listed on this website, including Barnes & Nobel, Books A Million, iBooks, Kobo, and Smashwords. This means A Slice of Orange may earn a small advertising fee from sales made through the links used on this website. There are reminders of these affiliate links on the pages for individual books.
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